Hedgehog Sketches

The sad story…
A while ago now, on a sodden cold evening a neighbour’s dog found a hedgehog under a nearby hedge. I know that a hedgehog out during the day is not a good sign and this one was not well.
We are very fond of hedgehogs and I did my best: a warm hot water bottle wrapped in a towel, water, food, a deep bed of straw and many kind and affectionate words.
I try hard not to be to sentimental about wild animals but it’s tough. Despite my efforts, this little one died in the night and is now buried in a box with a note and a print under the apple tree. ( Sentimental??? Moi???)

…and the opportunity
As a curious artist I also try to think of a dead animal as an opportunity for a study. I am not quite up to popping them in a pan or a bit of taxidermy but study brings both understanding and appreciation.
So these sketches are both an homage and an opportunity to have a closer look at those amazing and beautiful feet with their silken hair and long curved claws.

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RIP Sweet hedgehog… We will be looking out for your relatives next spring.

The Big British Lop Pig: First Sketches.

This is pig number two of Chris’ delightful pig and pork endeavour over at Salute the Pig.

A couple of weekends ago we went to Cold Overton in Rutland to meet up with Jan McCourt at his Northfield Farm and talk to him about his lovely and rare British Lop Pigs.
Chris has also written up some of their history here: “The British Lop Pig-As Old as Our Hills.”

More about Northfield Farm as I  make more drawings of the Lops, who we found blissfully snoozing in deep warm bedding. On hearing voices tiny buried  pink piglets burst out of the straw. I defy anyone not to find them utterly, utterly enchanting. Their capacity of joy seems endless.
I am still at the “getting to know you” stages with the pigs, and still researching and sketching the Mangalitzas and curly coats. Just as I found each bee has it’s own characteristics, so do the pigs. There are breed standards, different temperaments, talk of being good mothers, hardy, easy to feed etc.
Visually British Lop Pigs are big, long, white pigs with silky hair and, again, like the Mangalitzas, with the most fabulous ears. Huge, soft, floppy ears that lie like draped hankies over their faces, as long their noses, obliterating their eyes. And they have lovely smiles! Yes.. I know … its just the way their mouths

turn up … but it is still very endearing!

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More soon ….

Four More Days of Portrait Sketches

In between other jobs this week I have set aside half an hour a day to continue the portrait sketches. Tuesday: A few more doodles of faces. I tried to make these more “real” than the constructed heads of Monday, looking for a bit more variation and character in them.

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Pen and ink,  A4 sketchbook.

There are always one or two which seem to have the potential for life and some appeal more than others. Two I liked from Tuesday.

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Wednesday
: A few  more real people.. well almost real.. again pen and ink

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and two I like.

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Thursday After three days of rather random sketching I needed a bit of focus and  I remembered a couple of ideas for prints/paintings. The ideas came from a couple of walks, for which I needed a figure and a head.

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Loosely based on Chris. None of them really look like him as all I need is a head and his is the nearest.:) __________________________________________________________

Friday
A few more sketches to explore some ideas.

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I might use a profile or a figure. I think to try a profile in lino would be quite a challenge.

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Hmmm…  I know I will have to simplify the image and thicken the lines. It’s going to be interesting.
My lino cutting is still a bit rough and ready and I can see Chris turning into an aging Bash St Kid.
Actually, that is perhaps not too far from the truth.

Catching up.. Easton Sketches

It’s definitely time that regular posting resumed. I have a backlog of stuff on my desk and so today I’ll thought I would start with two weeks of sketches from Easton Walled Gardens.

A couple of weeks ago I gave my very excellent painting group a challenge.  To try to do a drawing every day, based on their own sketches or photos of Easton.

We all have such busy lives that sadly we don’t have the luxury of visiting everyday or even every week. So this is a good exercise to make quick decisions from photos, do your daily practise and then get on with your life.
The rules are simple. A quick drawing everyday which should take no longer than half an hour.
The aim is to make drawing and sketching as simple and everyday as brushing your teeth. It would be ungallant if I did not participate: so here are my 15…of variable quality.
I  have banned the use of the words “good” and “bad”.  Sketches should be explorations and practice and are always useful.

I use these for all sorts of reason, exploring ideas, brushing up on colour, drawing and perspective or just recording a moment.

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Easton Sketches 5 x7” sketchbook: pen and ink or watercolour or both!

A couple of these were done on site on a gloriously sunny day last week when the air was heady with scent, roses tumbled over trellises and swallows dipped over the stream.
As Ian, one of our group described it, simply “intoxicating”.

Summer Sketching at Easton Walled Gardens

Recently I have managed to catch a sunny hour or two to sketch at Easton.

The Gardens are looking particularly lovely there at the moment. I take minimum stuff: sketchbook, board, a paintbrush, paints and water. It’s such a pleasure to just sit in the sun and draw.

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Geraniums

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Allium

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Lupins

I had in the back of my mind that we needed a flyer for our group display of work in the summer so I have combined the sketches, played around with type and Photoshop and added a sketch of the Easton Towers to make the image.

Inspired by Easton;

Our summer display of  artwork from our workshop group. There will be paintings,drawings, prints, 3D work and more. In our meetings the emphasis is on finding inspiration for creative work of all kinds.
It is all about being in a beautiful ever changing place. It’s about the pleasure of working together, of experimenting with new ideas and techniques.
Mostly it is work in progress, sketchbooks, notes and photographs, prints, jottings and drawings all made in response to the Gardens, the architecture and the wild life.
I can’t wait to see what everyone brings on set up day.
That is just 8 weeks away…. and counting….

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Six Skies over The Water

Practice practice practice. It’s my constant advice (nag nag nag) to my workshop students. It can sound very repetitive but, really, it is the only way to improve. We need to practice all aspects of creativity, practise looking, practise thinking, and practise the skills that enable us to work in whatever branch of “art” we have chosen.

I probably do pick up a pencil most days to either write down ideas, sketch or draw and in between teaching courses I have been doing lots of experimental odds and ends which is why the blog has been a bit quiet.
What is so encouraging is when someone returns to a workshop having put in a bit of sketching time and can really see their own understanding and confidence grow as their skills improve.

After my last workshop I realised that I still have a problem persuading people to make tonal studies before starting their final work or just as an aid to “seeing.” They can be so helpful especially in watercolour where you strive to retain the lightness of the white paper. So, as some experiments for myself and to have a few samples, I sketched some basic skies to show how tiny monochrome thumbnails can be made into simple coloured images.

Reservoir Skies The weather has been strange, cold, sunny, windy, cloudy, still, clear and breezy so there have been some good skies at different times of the day.
I have started walking by the Reservoir again and realised I how much I have been missing the sky vistas. In the house we are a little hemmed in by trees and houses but down by the Water you have an unrestricted view… just water, a strip of horizon and then glorious sky.
So these small watercolour sketches are based on pen and ink thumbnails  made in a tiny sketchbook from my walks. I am also trying some different papers. Not impressed at all with the Fabriano block which buckled badly. Some old Langton was better!

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Busy morning sky over Perry

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Big clouds on a still morning lit from behind by sun.

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Strip of pale yellow in cloudy midday sky

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Smudges of brown rain in a grey sky… but hopes of brightening up

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Evening sky with cumulus. Dark greeny blue behind clouds.

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Sunset over the Water, heavy night clouds hang over a bright strip. Watercolour sketches approx 5 x 6”. pen sketches in 4 inch sketchbook.

I am much more interested in the marks, the colour and how the paint behaves on the surfaces and the happy accidents than whether they look like clouds or not.
And, if I took these colour pieces and used them as my source material for another set of paintings who knows what they might become? Chinese Whispers in paint is a nice concept.

What does “finished” mean

I sometimes hesitate to put things on the blog because it might infer that I am either pleased with them or that they are “finished” .. whatever that means. I am seldom pleased and “finished” can mean many things.  Sometimes I have just had enough, sometimes I have run out of time.

Many times I don’t stop soon enough and sometimes things need more work. Often I have to leave things face to the wall for a week or so, then go back to them. Sometimes a week of work results in a complete and utter mess.
Sometimes a few lines are so beautiful I can’t believe I made them.. but then how do you define “beautiful”?  How are your skies today?…Beautiful  I hope.

Colour Sketches

Not much on the drawing board this week but lots of plotting and planning, ideas and inspirations for the next couple of months. I have only managed  three walks and was thinking mostly about the next workshop at Easton which is next Sunday 25th and our last meeting this year.

Three-Colour Landscapes We will be talking about limited palettes and how to create a simple painting from sketch. So I walked up to the Visitor Centre again and made this quick three colour note of the spinney.

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This sketch is 5 x 8 inches.

It’s just 3 primaries winsor blue (green shade), winsor red and winsor yellow. I added some rooks who love to hang around the VC at this time of year, hopeful for scraps.

There is not much green around now so I was careful not to lay the blue over the yellow too much. It was very cold and the paint took a long time to dry which always means I worked over too soon and got duller colours. My numb fingers also dropped the brush onto it …sigh.
I do struggle with watercolour drying times for quick sketching.

I should have taken the gouache. I have made quite a few sketches and notes of this spinney, only because it’s a nice place to sit with a cup of tea. (see previous notes) but it makes a good subject for a simple painting.

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These are from earlier in the summer when there were more leaves, a picnic and a strong wind.

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This one from a couple of weeks ago.. less leaves.. and fisherman. Back home I took a slightly bigger sketchbook (10 x 7 inches) and made a small painting.  Again with the same colours but the blue is w. blue (red shade), to get a nicer purple mix.
I did wait for the paint to dry this time.

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Stage 1: first washes.

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Stage 2: adding the darker tones.

I have just realised I forgot the rooks!

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Its easy to forget how effective just these three colours can be.

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Later in the week, a few more limited palette notes (just 3 colours in each case) from the other few chilly walks this week.

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Its a great exercise for playing with just a few colours and seeing what happens…. hopefully more next week.

Week 10 notes. Grey days and a Colour filled Easton Workshop

Last week was full with 3 days away, another great workshop with my group at Easton Walled Gardens and not very much drawing board time. The miserable weather and dark mornings made walks a bit more sporadic but I still managed a few, with related sketches. For the first few days of the week everything was grey and misty; land, water and sky merging into one. Trees, people and birds reduced to featureless darker shapes. Its quite beautiful really.

Monday: I walked up to the Visitor Centre to draw these trees. I will be teaching a “How to develop a sketch” workshop soon and this is a scene I have drawn and painted before.  It also means I can have a cup of tea while sketching!

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I wanted to look at outlines as well as tone.  The trees are losing their leaves fast now. A double spread with a thick pen.

Tuesday:  cold fishermen on a cold grey day

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Wednesday: I had to go St Neots way and have always liked the power Little Barford  power station towers. A quick sketch on another grey day with low clouds

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Thursday: A very hardy early fisherman on a very still grey misty morning. Even the ducks were motionless and looked glued to the water.

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Later …..Joe’s pumpkins

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Friday: Easton Workshop Day We had another great workshop all about recording material from the garden and colour. In preparation I had played around with some gelatine printing with leaves from the garden here. Many, many possibilities are revealed through playing and experimenting and allowing accidents to happen. Thanks to all for another inspirational day.

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Sunday: Little Paxton walk. A chilly walk mid morning and a sketch of part of the nicely woven fence..with a living willow post. It reminded me of my time in Costa Rica where branches of the accommodating gumbo limbo tree can just be stuck in the ground to form wonderful living fences.

There was a gumbo limbo tree at Leu.

See my post Gumbo Limbo and Peeling Tourists.

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My drawing of the gumbo limbo twiglet with leaves. Earlier this year I used a weigela pruning as a pea stick. It grew happily.. rather better than the peas in fact..

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The living willow post Paxton Pits. All sketches pen and ink in an A5 cartridge sketchbook. ( I have run out of spiral bound ones so used a gummed block. The pages are already falling out…v annoying!) >>>>>>>>>>>>>>>>>>>>>>>>>>>>>

If you are wondering why I am numbering the weeks it’s because I am on countdown to a small operation which will have me on crutches for quite a while.

I am dreading the confinement but will hopefully be skipping, rather than hobbling, round the countryside again. Week 16 will be my last walking week.
Meanwhile I am out as much as possible!

Week 9: Six Sketches of Sweet Southdown Sheep

A busy week with 3 days away, a really lovely afternoon workshop here at the Church with the local art group and a frustratingly non productive printing day, which I will blog about later.  It’s all a learning process and sometimes experiments just don’t work but hopefully it won’t turn out too badly in the end.

So this week I just made six quick sketches of the sheep that live down the lane. They are delightful little Southdown sheep, compact and neat with close wool, and teddy bear faces. I see them almost daily and I look forward to seeing the spring lambs.

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The farmer sometimes writes about them in our village magazine. I wonder if he will recognise any of them..
“Ah there is Maisie! .. Oh look!  That’s a nice sketch of Blossom”
I would be super impressed if he did!

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I was drawing this one when I noticed I was very close to a wasp’s nest. The wasps were very busy.

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When they are close to the fence there are soft, tugging, tearing and chewing sounds. It’s very soothing.

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The rooks like to sit on their backs and sometimes perch on their heads.  The fields are slightly higher than the road so you usually see them through a screen of roadside grasses, twigs and, now dying, nettles.

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They seem very happy and contented sheep. They have the company of a couple of fine rams at the moment.

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I intend to do one very beautiful detailed drawing soon. Sketches with pen and white paint on A5 kraft paper.

Week 8 Visual Notes

I missed a couple of days walking this week, due to early starts and full days.  It’s so much darker and colder now. When I started in August, dawn was at 4.50 am, now it is 6.50 am. Walking time is compressed and has to be shared with others. Dog walkers, children running for the school bus, people leaving for work and the odd early cyclist. Sometimes, now, I walk a little later.

MON 8th

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The electricity pole on Caravan walk. I was thinking about pattern and thought how its shape was so similar to dead heads of the cow parsley. The rooks love this pole.

TUES 9th,   Barnesdale Sketching

WED 10th

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A later evening walk with the sun in the west. The aeration tower on the reservoir is backlit, almost like a lighthouse. A small boat has pulled up beside it.

THURS 11th

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A fallen tree by the water. It’s dark here and the bare ground is covered with fallen leaves.

SAT 13th

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Up on the top field, high on the plateau above the reservoir, there must be a heavy clay outcrop. Standing water lies in the ruts of the plough.

SUNDAY 14th

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A brilliantly sunny but cold day. An early walk and the resident small flock of geese were  feeding by the waters edge.

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Later having a coffee at the Visitor Centre, a hopeful spaniel watches the plates being emptied at a nearby table.
We did not stay long enough to see if his patience was rewarded. 🙂