Crowland Abbey on a Crow-cold Day and some Demons

It’s in the name, the Land of Crows, a conjuring up of a bitterly cold, bleak fenland scene.
That’s exactly how it was a couple of weeks ago when we went to have a look at the church and remains of, what was once, one of the most important monasteries in England.

It’s many many years since I last passed that way and it’s a curious sight, whalebone-like ruins attached to a later church set in flat fenland on what was once an “island”in the marsh. It makes you wonder what form of madness drove Guthlac in 699AD, to find a home there.

He arrived by boat seeking peace and quiet and made his home in the side of an opened, looted barrow. The land stayed soggy and inhospitable for centuries until the reclamation of the Fens.
Guthlac became a revered man and the subject of pilgrimages so I am not sure his life was quite as peaceful as he had hoped… and then there were the demons. Here is a marvellous description of what he encountered:

“The place for his retreat was a solitary and almost inaccessible  island in the Fens of Lincolnshire which was withal most grievously haunted by fiends.
Here he built a hermitage but the fiends were by no means pleased with the company of the holy man and formed a league, offensive and defensive, to expel him from their territories and did every thing that could enter into their demoniacal imaginations to annoy him.”

They bounced through the chinks of his hut and scoffed at him not suffering him to say his prayers for their shouts of rude laughter. Often when he ventured abroad they bodily seized him and plumped him into a neighbouring pool or whisked him through thorns and bushes.
In fact there was scarcely a trick which they did not play on this holy man. One very stormy night when occupied as usual in prayers and vigils, a whole legion of unclean spirits suddenly invaded his cell. They came through the door, through the chinks, through the roof, down the chimney and out of the earth like a dark cloud.  

Saint Felix gives a minute description of these visitors. They had, he says, truculent aspects, terrible forms, big heads, long necks, squalid beards, bat’s ears and flaming eyes, fetid breath and horse’s teeth, shaggy hair, knotted knees, cat’s claws and whisking tails. Fire and smoke issued from grinning mouths and they roared and howled clamorously.” One of several loose translations from Felix’ 8th Century account of Guthlac started in living memory of the hermit. From “Waldie’s Select Circulating Library, Part 2”of 1835

The name Crowland, I read, was originally Croyland but Waldie again tells me that the crows became St Guthlac’s favourite companions. Bringing him food and that…

many other birds were wonderfully familiar with him and even the fish of the surrounding came to his voice”

The Isle Croyland or Crowland has had a tempestuous history,  attacked at various times by Danish raiders, earthquake, fire, Vikings and Oliver Cromwell, but the ruins and Abbey stubbornly remain. It’s part of the Lincolnshire character.
Its fame made it a favourite subject for artists and both Cotman and Turner painted the picturesque ruins.

Croyland Abbey, engraved by B. Howlett published 1797
An engraving after Thomas Girton 1797  from the Tate Gallery.
This is the opposite end of the Abbey from the view I chose.This view is currently shrouded in scaffolding.

I am not always comfortable following in the footsteps of such greats and it was very very cold. We did not stop long but I walked around to try to find an angle that I liked.

The huge remaining arch is impressive and somehow the jostling gravestones looked almost like human forms, lining up to gain entrance to the Abbey, to find some some relief from the bitter wind or perhaps from Guthlac’s terrible tormentors. The sky was dark grey with the threat of sleet.

image

Rough sketch note.

image

Sketchbook tonal drawing

image

In progress

image

Crowland with Crows and Jostling Gravestones. watercolour.

The sketch will be for the Lincolnshire Churches Trust art competition. …and still the cold continues. Spring! Where are you??

A Bee for “Nature in Art”: Early Bees love Early Willows

One of my very favourite places, Nature in Art in Gloucestershire has asked artists who have been associated with the Gallery to contribute a postcard for their fundraising efforts.
I am delighted both to be asked and to help, because as one of their Artists in Residence over the last two years, I have spent many, very happy, hours there.

“May 2013 marks the 25th anniversary since Nature in Art opened its doors to the public and to coincide with it we are holding a special fundraising exhibition called ‘Postcard Portraits’ The postcards will be reproduced on a series of specially prepared display panels. A commentary will accompany the panels and the artist of each card identified. The exhibition will be May 7th – June 2nd.
Each card will be allocated a secret number and the numbered tickets will be available for the public to buy for £20 each.”

They hope there will be approximately 300 cards! For my contribution it just had to be a bee. What a surprise. I have not seen one bee yet this year and as I am typing it is snowing again.
But last year, by this time, the bees were out and busy. I remember finding a bumble bee having a rest on a willow twig so I thought, for my card, a sketch of an optimistic early bee would be appropriate. Delicate catkins are springing out all over the willow twigs I brought in. Surely Spring is nearly here?

early willow bg      image

My Postcard Portrait for Nature in Art: “Early Bees love Early Willows’
watercolour and pencil. A5

Nature in Art is the world’s first museum dedicated exclusively to fine, decorative and applied art inspired by nature. It has wonderful exhibitions and courses I only wish it was just around the corner! I will be back from 24th to 29th September this year, for another Artist In Residence week. I am so looking forward to it.

———————————————————————————————————————–leonardo foot s

 

Footnote….hopefully the last one. The offending pin is out ..hurrahh…I guess the injection trauma will fade with time.
The Foot is happier and so am I!

Some Willows and a Wren

This is my last Feb post and next month I will have to concentrate more on idea for the Residency.
With this on my mind on Monday, in a bitter wind I went for a short walk on the muddy reservoir shore. It was my first visit since late November.

willow_4

The reservoir is still very low which exposes thousands of shelly, fossily things which have washed out of the Blue Oxford clay. There are silvery fresh water mussel shells and bits of mud encrusted rubbish. All of which I find completely fascinating.

But my purpose was really to look at the willows. With the water so low the roots are exposed and of course the branches are bare. This time of year is wonderful for seeing the structure of trees.

willow_1

One of the willows by Tern rocks

willow_3

Looking East to a stand of willows on the shore, a favourite haunt of rooks in the summer. I only made a couple of sketches, it was so very cold.

image

Rook willows: I am standing where the water usually is. At the right hand side there is an old fallen willow where new branches are growing up from the fallen trunk.

image

Scrubby willow branches, which grow up from fallen branches. Large blocks of stone mark the edge of the reservoir and the normal water level.

Willow Twigs and the Tiny Wren.

I know there are several willow species round the reservoir but I am not sufficiently sure of the species yet to be confident in naming them. I am guessing there will be both white willow Salix alba and crack willow Salix fragilis.
But I do know there is Goat Willow, Salix caprea, because this is our lovely Pussy willow. I found some and brought a couple of branches back. I put them in an old indoor watering can which I had bought for my mother many years ago.

I put the can by the French window where I hope they will blossom over the next few weeks.There are some other willow branches as well. The Pussy Willow twigs are more robust with the lovely silky buds.  The window looks out on the paving where the tiny wren has been very busy for the last few days, little stubby tail up in the air pecking between the paving slabs looking for insects.

image

Mum’s blue can with willow twigs and wren. She would have really liked this sketch :).

It’s Forward …if slowly…into 2013

At 11.00 am on 30th of December with the turning of the last page of “Bring up the Bodïes” Thomas Cromwell finally released me.

I felt myself fortunate to have got away with all my body parts intact save the aching Foot. Not many who came across him were quite so lucky.
After his darkly compelling world I was glad too that the sun was shining, the birds were singing and that I could see the first striped leaves of a crocus struggling through.  But as I come up for air I also, selfishly, hope that Hilary Mantel is deeply closeted with the Tudors writing his next chapter. It can’t come soon enough. I have also been released from my crutches.

Shuffling replaces tapping. So now my progress, if slow, is at least silent. The Foot is gradually easing back into being a functioning thing. The painful toe stabbing demons are still visiting as the long incision begins to heal and tightened tendons and muscles are stretched. But it IS progress.

Today I made a small drawing, not an interior as a kind reader suggested but three tiny eggs.
My Christmas card” last year (see First Snow) showed some snow covered nest boxes. They came with the house and in the spring we cleaned them out and put them up in hope of some takers. Blue tits came and were busy for a while but for one reason or another they left.
We have magpies, we have visiting cats, there are cars and circling birds of prey. So many things that could disrupt an early nest.  And then there is just life, death and misfortune. Earlier in December we took the box down and inside were 3 tiny eggs. It was poignant.

I like to think they found another quieter place and raised another brood.  The nest was a bundle of grass, moss and some vibrant day-glow fibres which makes me think a neighbour has a closet 1970’s dressing habit.
The little eggs have been on the kitchen windowsill nestling beside a head of garlic on a pretty saucer and waiting to be sketched. I wonder at their tiny size.

image

Three little eggs .. a symbol, if you like, or an encouragement to the coming of new life and a new year.

I have always thought that making a drawing of something gives it another “go” at life, another possibility of existing in a different dimension.  We will put the boxes up again and keep our fingers crossed. And so it’s forward, if slowly, into spring and into summer; to painting, drawing, printing and hopefully, walking.

May your muses be many, attentive and cheerful.
A Very Happy New Year to you all.

Week 10 notes. Grey days and a Colour filled Easton Workshop

Last week was full with 3 days away, another great workshop with my group at Easton Walled Gardens and not very much drawing board time. The miserable weather and dark mornings made walks a bit more sporadic but I still managed a few, with related sketches. For the first few days of the week everything was grey and misty; land, water and sky merging into one. Trees, people and birds reduced to featureless darker shapes. Its quite beautiful really.

Monday: I walked up to the Visitor Centre to draw these trees. I will be teaching a “How to develop a sketch” workshop soon and this is a scene I have drawn and painted before.  It also means I can have a cup of tea while sketching!

image  image

I wanted to look at outlines as well as tone.  The trees are losing their leaves fast now. A double spread with a thick pen.

Tuesday:  cold fishermen on a cold grey day

image

Wednesday: I had to go St Neots way and have always liked the power Little Barford  power station towers. A quick sketch on another grey day with low clouds

image

Thursday: A very hardy early fisherman on a very still grey misty morning. Even the ducks were motionless and looked glued to the water.

image

Later …..Joe’s pumpkins

image

Friday: Easton Workshop Day We had another great workshop all about recording material from the garden and colour. In preparation I had played around with some gelatine printing with leaves from the garden here. Many, many possibilities are revealed through playing and experimenting and allowing accidents to happen. Thanks to all for another inspirational day.

image

Sunday: Little Paxton walk. A chilly walk mid morning and a sketch of part of the nicely woven fence..with a living willow post. It reminded me of my time in Costa Rica where branches of the accommodating gumbo limbo tree can just be stuck in the ground to form wonderful living fences.

There was a gumbo limbo tree at Leu.

See my post Gumbo Limbo and Peeling Tourists.

gumbolimbo2

My drawing of the gumbo limbo twiglet with leaves. Earlier this year I used a weigela pruning as a pea stick. It grew happily.. rather better than the peas in fact..

image

The living willow post Paxton Pits. All sketches pen and ink in an A5 cartridge sketchbook. ( I have run out of spiral bound ones so used a gummed block. The pages are already falling out…v annoying!) >>>>>>>>>>>>>>>>>>>>>>>>>>>>>

If you are wondering why I am numbering the weeks it’s because I am on countdown to a small operation which will have me on crutches for quite a while.

I am dreading the confinement but will hopefully be skipping, rather than hobbling, round the countryside again. Week 16 will be my last walking week.
Meanwhile I am out as much as possible!

Week 5 Visual Notes

Some colour.. well just a bit…I thought I would try to make a quick gouache colour note every day, based on the B/W sketches and my notes. MONDAY: the morning drizzle turned into heavy rain

image

My early washed out sketch, it says “4 cormorants take off in this grey scene, it’s raining harder. 7.50 am”

image

Later the gouache sketch from notes.. black ducks and white seagulls, the horizon lost in mist. Looking west.

TUESDAY: A beautiful morning after the heavy rain.

image

I sketched a big anvil shaped cloud on the horizon over Perry. Two whiter than white swans flew across the lake surface.

image

The gouache sketch later from my notes. I forgot the swans!

WED: Nice early but the rain started soon after I left the house. No early morning sketch but later it cleared and I walked up past the water tower

image

Looking east from the road. Some rooks on the stubble.

image

Colour notes

THURS: Light in the wood

image

image

The gouache colour note.

I have been thinking about printing today so the colours are a bit blocky.

FRI: A slightly longer walk.

image       image

image

image

Gouache colour note, silvery green grey willows are so beautiful in the wind.

SUND: A cold breezy morning. Our small inland sea has waves today.

image       image

and another small oil sketch based on Friday’s sketch…just to keep practising.

Tomorrow I am hoping to do another Sketchbook in a Day…:)

Some Rooks

I have been sketching rooks today (a very favourite bird of mine) because I am hoping to make a lino or woodcut cut soon. I am not trying for a perfect rook drawing but more for “essence” of rook.

rook2bg3

Listening to the food music of worms

I am actually going to base the linocut on this old drawing, above, which I had made for my  “The Food Music of Worms”  post, well over a year ago now. This rough sketch just seemed to capture my father’s poetic observations about rooks.

But the sketch is too scrappy and ill defined and I do need to understand rooks a bit better. I have spent many hours watching them as they strut around the stubble, make noisy and argumentative roosts in the tree tops and soar and glide on the breeze. I think they are splendid birds.

image       image

image

In this windy weather they always look tatty. Sometimes like a old bundle of black rags tied together, their long loose feathers wind blown and ruffled.

image

A drawing for a woodcut or lino cut will have to be simplified quite a bit to accommodate my inexperienced cutting skills. I am planning a series of local birds. The daily walks and sketches are making me realise how much I love them.

I will post my progress as the print develops. There’s optimism for you!

Week 4 Visual Notes

The sketches from last week…and a bit of a mixed monochrome bag. There are some pens and inks and some tonal sketches because, at long last, I have decided to try a few oil paintings. I made a few unsuccessful attempts in the past but after being both inspired and encouraged by my friend Brenda, queen of plein air and my friend Denise queen of fabulous feline paintings I have finally got going..well almost.

I’m starting at the beginning by looking at tonal sketches. It’s something I do anyway, for my watercolour and design work, but have slipped into undisciplined and haphazard bad habits, skipping steps and doodling on the back of envelopes.

This time I am trying to knuckle down and do things properly.. so on Monday I left my much loved pen behind and I took gouache with me.  I am using gouache as a half way house between the pen and oils. It dries quickly so no problem with smudging. Again they are quick studies on 5 x 7 card, although I have left it a bit late in the year to start my plein air adventures. Typical!

MON Sept 17th

image

Brampton Wood tree.

image

The giant humbugs down the lane. Rolls of silage (?) wrapped in green and black striped plastic.

TUES Sept 18th


Lots of pen sketches for images see Burghley Sketching post.

WED Sept 19th

A disused farm building down the road,  20 mins

farm bg

The Church yard, just 15 mins because it started raining and gouache is not good in the rain.

church 1 bg

It’s sometimes hard to get across the importance and fun of tonal sketches..The mention of them can generate yawns.. I wonder why .. I really enjoy doing them. They do tend to become rather formal because you are looking for bigger shapes of tone, but it’s such good practise for seeing the lights and the darks.

THURS Sept 20th

On a busy day it’s back to the sketchbook and 2 very quick sketches on a short very early walk.

10 min sketches

image
Crows on crow tree.

image

A surprise of cormorants and gulls who flew up from the hidden shore line, it was grey and still dusky over Perry at 7.15 am.

FRI Sept 21st

An equally busy day but on my quick morning walk I had seen this wonderful long tree trunk so later I cycled up to the Visitor Centre to draw it.  I spent a blissful half hour sitting on the grass listening to the birds and squirrels. It rained a bit but was well worth the trouble.

image

The long, pine branch was like some strange giant millipede creeping towards the wood.

image

A bunch of rooks were on the field by Church Hill. I love rooks and am planning a linocut soon, so need to do some more rook drawing.

SAT Sept 22nd

This is something of a breakthrough day for me. My first ever plein air work in oils. I know, it’s only 2 little sketches but it’s a start.  It seemed an awful lot of faffing about to get the stuff organised but it was such a beautiful day that it was now or never. I cycled up to the spot where I was yesterday and made two quick (20 mins each) sketches of the tree line, then turned round to face the water.

image

After the gouache I am finding it slippery and smeary and that it mixes too easily. But I guess if I can persevere I may improve.

These are small, 5 x 7 sketches on card primed with acrylic.

image

The dark dark wood on a sunny day

image

Looking towards the water with a few people, a boat and a buoy.

SUN Sept 23rd

Two more small oils. I had sketched the first one in yesterday because of impending rain, which sure enough has arrived.

image

The lane to the reservoir.

image

Sky, from the water looking east, water tower to the left. Early Sunday morning. Fab sweep of white cloud before rain arrived. I am not sure how or if these will develop but I will do some more.. after all, I have bought the wretched paints now 🙂
I have really enjoyed doing them. They are not perhaps the compositions or subjects which I normally choose… maybe a little too formal for me…but they are just as I saw them.

Sunday Stoat

Earlier in the morning on my cold grey 7.50 am walk, when I thought it was all going to be uninspiring, I saw a stoat ( or weasel?). I am not sure who was more astonished.

Both of us were transfixed for a few seconds. It was utterly charming. I was standing still looking out over the water and it popped its head above the rocks, disappeared,  then like magic reappeared from behind another stone. It peeped out sideways from behind a small bush before scampering away. I willed my slow camera to snap just one picture.

image

Sunday Stoat, Grafham Water Shore

Wool Carder Sketches 2

The next stage of the wool carder is getting the pose worked out a little more. I know what I want to achieve. Sometimes it works, sometimes not. Sometimes things change quite a bit when I start to paint

woolcarder 2

I am looking at my little model and noticing things like the quite short tarsus, the darkish wings and the slight haze of short ginger hairs on the thorax and the silky longer hairs under the thorax, on the legs and the stiff pollen collecting hairs under the abdomen, the scopa.

I watched them last year both at Heligan and at Twigworth.
I do hope my newly planted Lambs Ears and Motherwort  (…the happiest thing in my garden !) will coax some of these lovely bees here. It is quite noticeable that the female carries her head lower than the male. Bees have a limited possible head movement because of the broadness of the rigid exoskeleton where the head and thorax meet.

The head shape and size relative to the body can vary quite a bit between species. Some remind me a bit of the old fashioned nodding dog models :).  A nodding bee might be rather nice to have on the back shelf of the car.

woolcarder 1

Colour note sketch. Sketchbook, watercolour and pencil

Dancing Woodland Fairies and a Noon Fly

On Friday afternoon it was hot and still. I walked to the woodland edge behind the reservoir where, in the dappled shade, the wild things were resting. The mining bee colony was quiet. The birds were still.
A huge bumble bee was snoozing on a log and a beautiful noon fly had folded its golden wings to take a break in the sun.
However not everything was sleeping because dancing all around the emerging leaves of the scrubby oaks and sycamores was a shimmering cloud of tiny moths.

“Enchanting” is the only word to describe these exquisite little things.
Of all the tiny pretty creatures in the natural world these might just be the ones to persuade you that fairies could exist.

When you look closely you see their wings are have a metallic sheen, their tiny bodies are gorgeously adorned with long black spiky hair and their antennae impossibly long and white. They dance and settle, then dance again.
Caught by the light and set against the dark woodland interior, their glimmering wings change from gold to pink to blue to green to bronze. Fabulous.
But, reluctantly leaving the realms of the fanciful, this cloud of silvery flying things are the males of little Green Longhorn moths or Adela reaumurella, one of our day flying moths, swarming,  as they like to do on a nice day.

If you want some hard facts and dissected moth photos go to the excellent  British Lepidoptera species page.
If you prefer to live in magic land stay here for a while.

At some point I would like to try a painting, but how to capture that delicacy? I made a couple of sketches which seem inadequate but I do think a loose watercolour would be the way to go, to keep their lightness and insubstantial nature.  More sketches to come.

adelabg      adela bg

The dancing Adela reamurealls.. (which sounds a bit like a circus troupe!)
Watercolours in my sketchbook.

I  also took a snap of the handsome noon fly,  it was, just after, noon..