Nature in Art Residency and “Grain”

I am delighted to have been asked back for a weeks residency at Nature in Art this year at the magnificent Wallsworth Hall at Twigworth in Gloucestershire.

Wallsworth Hall

It’s a wonderful place “dedicated to fine, decorative and applied art inspired by nature” and I shall be there with bees, pigs, prints and drawings from 31 July to 6th August. I’m taking a small book press with me and will be printing some blocks while I am there. Do come along and say hello if you are close by.

“Grain”
Meanwhile I have to say it has been just too hot to do very much practical work, but one of the 4 or 5 projects I have on the go is one concerning “Grain”. I was looking for an experimental project to work on to explore some different bookbinding structures. Chris and I are both interested in heritage and sustainable foods and grain is just one of them. At about the same time an opportunity arose to spend a day at a working watermill with Mike and Becky Shaw at Golspie Mill in Sutherland. It was a really wonderful experience and many ideas and possibilities arose from that short visit too.. but I will write more fully of the visit in the next post.

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Golspie Mill.

I started working on “Grain” before we went to Glospie, looking at some of the ancient grains, spelt, emmer, einkorn which are gathering popularity as well as rye, Orkney bere barley and oats along with milled peas and millet.“Grain” is a concertina structure which holds 8 prints based on 8 different grains/pulses. It is quite large, when fully opened as far as it can go its 1.5 meters ( or just over 5 foot.) The 10 panels are approx 34 x18 cms ( 7×13.5 inches). It  has a smaller concertina of woodcuts on the back which has 4 grain related farming scenes loosely based on the Lutrell Psalter.  I think all this needs another post explaining a bit more but meanwhile some snaps: I have realised I need a bigger house as I have nowhere to photograph this when fully opened!

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Dummy, roughs and trials..

I made my own bookcloth and everything is handprinted.

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View of the inside with some of the woodtype I used and a block.
The final spread.

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One of the back panels … “ploughing”.

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A  print from the woodcut of “sowing”….

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The back.. “reaping” with a glimpse of “winnowing”  in the background. As everything was handprinted, the smell of the printing inks is just gorgeous when you open it! It is weighty too which makes it pleasing to hold. It was a complicated structure to put together, but served as a very useful experiment which I am going to develop further. There were many test pieces and problems but I have learnt an enormous amount. More detail on the prints and processes soon.

A Bee for “Nature in Art”: Early Bees love Early Willows

One of my very favourite places, Nature in Art in Gloucestershire has asked artists who have been associated with the Gallery to contribute a postcard for their fundraising efforts.
I am delighted both to be asked and to help, because as one of their Artists in Residence over the last two years, I have spent many, very happy, hours there.

“May 2013 marks the 25th anniversary since Nature in Art opened its doors to the public and to coincide with it we are holding a special fundraising exhibition called ‘Postcard Portraits’ The postcards will be reproduced on a series of specially prepared display panels. A commentary will accompany the panels and the artist of each card identified. The exhibition will be May 7th – June 2nd.
Each card will be allocated a secret number and the numbered tickets will be available for the public to buy for £20 each.”

They hope there will be approximately 300 cards! For my contribution it just had to be a bee. What a surprise. I have not seen one bee yet this year and as I am typing it is snowing again.
But last year, by this time, the bees were out and busy. I remember finding a bumble bee having a rest on a willow twig so I thought, for my card, a sketch of an optimistic early bee would be appropriate. Delicate catkins are springing out all over the willow twigs I brought in. Surely Spring is nearly here?

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My Postcard Portrait for Nature in Art: “Early Bees love Early Willows’
watercolour and pencil. A5

Nature in Art is the world’s first museum dedicated exclusively to fine, decorative and applied art inspired by nature. It has wonderful exhibitions and courses I only wish it was just around the corner! I will be back from 24th to 29th September this year, for another Artist In Residence week. I am so looking forward to it.

———————————————————————————————————————–leonardo foot s

 

Footnote….hopefully the last one. The offending pin is out ..hurrahh…I guess the injection trauma will fade with time.
The Foot is happier and so am I!

A Bee Print and Buzz News

Did you think I had been neglecting my bees? 🙂 ….now would I?
While there has not been much of a buzz on the blog, in the background there is quite a bit going on. I am planning some more bee paintings for next year and will be doing more workshops, another residency at Nature in Art (whooppee!!!) some more exhibitions and talks etc, including a lovely one day workshop at John Clare’s Cottage on June 15th and the wonderful Festival of Bees in Louth, Thursday, 23 May 2013.

One very interesting weekend, first in the diary, will be with the British Beekeepers Association, the BBKA at their annual meeting. I shall be there with my BUZZ paintings and a couple of short drawing/painting workshops.
That will be Sat 13th April.  I will be posting lots more details on the blog as the events are finalised. So for the shows and talks I am preparing a few more prints, booklets, cards etc.

Here is a simple two plate lino print which I’ve been working on over the last couple of weeks.  I have just printed the first few which I will then develop a little more, with different backgrounds, papers and colours and other additions. The possibilities are really endless.

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My lino print of “Waving Bee”,  my logo, printed on a background of a beehive and the word “BEE”.. Grey and Ochre on Blue Grey paper. Image 12 x 9.5 inches
One of some new bee images for next year’s shows.

Bees are few and far between now but my bee house is dry and safe and I am still seeing one or two bumble bees and honey bees.
I am hoping for a good, kind, winter for the hibernating bumble bee queens and for the baby woolcarders and masons, who I hope will safely snooze the chilly months away, tucked up in their leafy, woolly nests.

Wool Carder Painting step by step….almost there.

I am back to commissions and some commercial work this week but hope to have a little more time for just sketching and drawing.
When teaching my workshops I am a bit of a nag about drawing and practise, everyday if possible, so I really must practise what I preach!!

But it’s back to completing the Wool Carder Bee first. I almost finished it for the Meadow Days show and was able to have it on display and chat about the process of drawing and painting a bee. Here are a few stages of the work:

Referring back to my preliminary sketches I lightly draw the bee on the frighteningly clean and pristine paper. This always makes me very nervous.
Thank goodness it is tough stuff because I still do quite a bit of re-drawing and adjusting on the paper.
i.e. was not quite sure where I wanted that front leg…..

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Leg adjusted, I put in first colour guides.

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Stages 3 and 4 are just building up colour depth and getting the eye right. It’s important to me that I have the eye done fairly soon. “Eye contact” with your painting helps make a bond between you and your work!! It’s a bit of a responsibility creating something!!

and by this stage I have erased up some of the pencil lines!

Stages 5 is more building up and I use quite a bit of lifting out and add white gouache to paint the lovely long silky hairs that this bee has on the underside of her thorax.

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The almost last stage is the wings, sorting out the detail of the abdomen markings and the antennae.. when I pray for a steady hand!
There is nowhere to hide mistakes made here!

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I then leave the bee and get on with the background. I will go back to do further adjustments later on if I see any glaring mistakes. It’s good to leave things alone for a while!
The pencil work takes a long LONG time as, again, I do draw and redraw on the paper and it is forgiving, but only up to a point.
Some times I rough out the leaves and flowers on tracing paper and position them here and there to check the composition.
I didn’t take stage images as that would be very boring..

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Its almost finished now. Just a few adjustments to do and I need to add a small image of Wallsworth Hall, home of Nature in Art gallery. I have sketched it roughly on tracing paper to position it….It might go about here!

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I will be finishing it this week…unless, perchance, we have SUN??? Hope springs eternal …….

Wool Carder Sketches

I am painting a female Anthidium manicatum, the gorgeous Wool Carder Bee for Simon at Nature in Art.

I chose this one in particular because Wallsworth Hall is where I first watched this wonderful little bee stripping the hairs from the furry leaves of Lambs Ears or Stachys byzantina to use for nest building.
She is also extremely pretty!
The males and females are very similar looking except that the males are, unusually for the bee world, much bigger.. also they move in a different way.  The male has an aggressive darting flight and will patrol a patch of flowers, ferociously seeing off any bee or insect intruders, head butting and attacking a perceived competitor with the awesome three spines he has at the base of his abdomen.
She on the other hand is a calmer more purposeful little bee intent on gathering fibres and foraging from the flowers of Stachys, and other similar labiates.

Both male and female have various yellow marking on their face, legs and abdomen making them easy to mistake for a wasp at a casual glance.

Notes and Sketches

Firstly, I have to get the female’s markings and characteristics correct so I start with a few notes. Where are the yellow spots? How are they different from the males, especially on the face. I notice that the lower part of the legs of the females seem  very slightly thicker and hairier too. They have quite a rounded body shape and pale silky hairs on their legs.

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I have not seen very many Anthidium manicatum here in the UK and the only ones I have seen have a line of yellow spots on the sides of their abdomen.
Other Anthidium species have much bolder yellow banded markings. ( I keep thinking they would make a very attractive set of pattern designs! … but not right now as I am too busy.)

Next the design. Even though they do use other plants for both food and nest material I will include the Stachys. It grows in a beautiful big patch on the front border of the Museum at Wallsworth Hall and is obviously much loved by the wool carders. Regular readers will know that I take ages to decide on poses and plants.
This time the plant is chosen and it’s only the pose I have to consider.
For me its about trying to express something of the character of the bee and how it relates to the plant. But it also has to be a good composition and hopefully an engaging painting.

First scribbles are really important for me to work out how I am going to try to achieve all this!  The designer in me likes the simple central stem with the view of the bee from the top.
This would show the markings on the back quite well… but very little of the character of the bee. It would be more like a technical  drawing.

Sketches 2

To show the bee actually carding the hairs from the leaf might be interesting but they very often curl right over while accumulating the big ball of fluff under their abdomen and that’s not a particularly good pose for a painting or to show off their beautiful markings.

I think I will probably go for the design bottom right.. a front/side view looking over the edge of a furry leaf.
I planted a Stachys in the garden here. It’s struggling through, but at last with the arrival of some sun its beginning to grow, so I made a quick sketch.

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At this stage it’s all about “looking”, rather than “drawing”.
These rough sketches are visual thoughts, just for me, to try to work things out.
But to draw something, however roughly, is to understand it a little more than you did before!

Bees and Flowers, A Week at Twigworth

I am in the middle of a fantastic week here at Nature in Art at Twigworth Glos. Eight lovely artists joined me at the weekend for 2 days of drawing, painting and talking about all things art and nature.

We drew bugs, beasts, twigs, flowers and plants,  found ground nesting bees, watched huge bumble bees in the willows and mahonias, spotted hairy footed flower bees on the pulmonaria, saw little mason bees peeping out of holes in the walls, watched bee flies and hover flies and more.

We exchanged ideas, knowledge, stories and painting tips and, as always, I learn as much about painting, drawing and life from the company of such interesting and accomplished people as I hope they learn from me.
Thank you Lyn, Sally, Margaret, Owen, Hazel, Lyn, Sarah and Penny for making it such an really enjoyable weekend.

Now I am Artist in Residence for a week and sharing a room with the Bees Abroad Charity. They have a fantastic stand and the observation hive is riveting! I am learning so much about honey bees both here and abroad.

     

       

Brian also has a small piece of a stingless bee’s nest from Ghana on show along with some of the microscopic bees.. ( black specs on the right!)

In the next room there is a display of excellent work from Gloucestershire Botanical Art Society. A few bees and bugs have crept in there too.

I have a selection of “Buzz” paintings and sketchbooks and of course my well travelled models who are doing a great job in promoting the understanding of our wild bees. Even timid children who think they are frightened of bees cannot resist a close encounter with a little mason bee. Out in the grounds there are Bumble bees all over a big yellow Mahonia.

Kevin has put up his bee boxes.

and… delight! delight!… the hairy footed flower bees are whizzing around the pulmonaria.

     

We are all here until Easter Monday. Do come along and have a chat if you can.
I can tell you the home made quiches and cakes are wonderful!

Bees for Real and Bees in Art. “Winged Saviours” at Nature in Art Gallery, Gloucester..Oh, and me too!

I am just getting prepared for 10 days at the wonderful Nature in Art Gallery at Twigworth, Gloucestershire where I am teaching a two day drawing and painting course on Saturday and Sunday, and am Artist in Residence  for a week.
At the same time to celebrate all things bee there is a small exhibition of paintings, drawings and sculptures. “Winged Saviours” runs from March 27th – April 29th It will be fascinating and I am so delighted to be included in the exhibition.

“A small exhibition focusing on bees, a subject matter that has provided inspiration to artists, not just because of the intricate beauty of the bee, but because, in a sense, we should see them as ‘winged saviours’. We have gathered together a selection of work from public and private collections, and had a number of pieces produced especially for this exhibition to help put a focus on the bee through art. Four prints from Graham Sutherland’s famous ‘Bee Series’ will be shown amongst prints by other printmakers like Louise Bird, Greg Poole and Robert Gillmor. Russian artist Vadim Gorbatov and painters like Val Littlewood, Mark Rowney, Janet Melrose, Gary Woodley, Clifford and Rosemary Elliis and Jane Tudge help provide a great diversity of approach.”

 

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Graham Sutherland… from his bee series

Read more about the exhibition HERE

I am so looking forward to my time there. The workshop I am teaching will be about drawing, painting and looking harder at the smaller things in the natural world.  I am hoping it will be fine weather so we can make the most of the lovely wild grounds there. Live bees! At the same time there will be a stand from the charity Bees Abroad (www.beesabroad.org.uk)  together with an observation hive. How wonderful! I am not sure I will be able to drag myself away from it to do any work. Bees Abroad are a small charity who work to support beekeeping in small communities abroad.

“They use their expertise, working in the local community group to develop a viable project which will become self-sustainable. Using indigenous bees and techniques appropriate for each location, Bees Abroad offers training and support in beekeeping including making hives and protective clothing from local materials, managing honeybees, collecting honey safely and handling and storing it hygenically.”

It will be a fascinating 10 days. Do come along if you can and say hello.  Nature in Art Gallery is rather a hidden gem!

The Tall Hollyhock at Twigworth, a Night Stop for a Bumble Bee.

I mentioned the hollyhocks at Twigworth yesterday.
One, particularly, was immensely tall, we estimated about 9 ft. The hollyhock, Alcea rosea is so beautiful and a real favourite of mine.

Their long towering spikes of flowers and little round seed pods were constantly swaying in the wind. This interestingly made it quite tricky for the bumble bees to land. But land they did, working round the central stamen and getting completely covered in white pollen.

bee pollen

Early one morning before opening up I sat on the lawn and made a measured sketch. I noticed that a very still little white tailed bumble bee was curled round the stamen of one of the flowers.
I rather think he had been there overnight. I
was a good half hour and he was still there when I left. I have seen them here sheltering under teasels for the night.

Bee in Hollyhock… not easy to see him curled round in the middle.

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My slow measured sketch…

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Later a quicker sketch with black and white pens on toned paper.

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Back in the studio in between talking to the visitors I drew a pod and its little adjoining leaf. The pods are delightfully furry.
It’s a bit like the old “Leaf of the Day” times! I still have to draw the seeds but have brought a few pods back with me, along with some honesty.
Nice! I am looking forward to drawing them.

Hollyhock Seed Pod and Leaf

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“BUZZ” at “Nature in Art” and Wool Carders carding!

I was at Nature in Art near Gloucester all of last week and the weekend as Artist in Residence.

It’s a fascinating place. A lovely old manor house dedicated to the celebration of all things natural in painting, sculpture and ceramics, a good cafe and wild grounds.

Wonderful for wildlife. Michael Porter’s current exhibition “The Glance and the Gaze” is inspiring!

Artists in Residence have a studio to work in although I have been too busy talking to visitors to actually do much but I had my paintings and sketchbooks to show and talk about.
My good intentions to blog were thwarted by no internet access!

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My paintings and sketchbooks and bees at the studio.

In between talking to the visitors I went out for a bit of bee spotting.
There is quite an extensive wild flower area with red clover, thistles and scabious which is full of bees and hoverflies. At the front of the building are some immensely tall, beautiful hollyhocks, which were busy with bumble bees and in the same border, a patch of furry stachys where to my delight a pair of the gorgeous woolcarder bees are indulging in some perfectly textbook behaviour.

Now please understand that this is the first time I have actually seen, with my own eyes, a wool carder bee carding. I was really quite thrilled to see  the little female come back time after time to chew the fibres from the undersides of the leaves. She curls round as she gathers them up then flies back to her nest with her ball of fluff, to use for nest building.

wool carder carding

The photo above shows the de-fluffed underneath of the leaf, and the bee busy trimming off the fibres. Nature in Art 2nd August. Photo Val Littlewood

I have never seen a nest but here from Wisconsin,  USA is a photo from the excellent Bugguide  by Ilona who found an Anthidium nest behind her  mailbox.
There are two photos of the fluffy white nest, it is quite extensive, a lot of work for this little bee.

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Female anthidium July 2010 by Ilona Loser:  Bugguide

The male meanwhile was, in turn, resting and patrolling….. resting and patrolling. He was constantly checking his territory, flying backwards and forwards between the catmint, just a yard away, where he was feeding, and the stachys leaves where he sits in the sun. He sat with his wings folded for a while before spreading them out at his sides in a very characteristic anthidium pose.

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These big beautiful furry males are able to hover and dart very quickly. It’s a very distinctive flight pattern and you can see him tirelessly chase away intruding bees and hoverflies.
They seems to be a source of constant irritation to him.  I watched him suddenly zoom over and knock a trespassing bumble bee to the ground. After a tussle the bumble bee flew off apparently unharmed. It was all too quick to see if the woolcarder employed those fearsome spikes he is armed with.

A couple of days later after some heavy rain  I found the two bedraggled bees sitting disconsolately on neighbouring flower spikes. They were still, cold and fed up, just waiting for some sun.

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Wet  anthidium male.

It is making me wonder if the anthidium make pairs, I have only seen these two on this patch.
After warming up the male flew off but the female took a little more time, she buzzed her wings occasionally and when offered my hand she happily climbed aboard for a few minutes, warming up and spreading out her wings to dry.

I was with one of the visitors who was delighted to see her and as I held her up we could see her large jaws. Her tiny clawed toes were quite clingy, I have found that a cold wet bee is often quite reluctant to leave the warmth of your hand. It’s been a wonderful week with many lovely bee friendly people, and some new converts.

Amongst the visitors were the wonderful Bee Guardians from Gloucester.. more of them tomorrow! So thanks to Simon and all the staff. I am looking forward to returning next year.