Leaf of the Day; K2 almost finished

The mountaineering analogy seemed more apt the more I worked on the kohlrabi, progress measured inch by painstaking inch. I decided some time ago that I was not going to resort to a magnifying glass for painting. They are useful for looking at the details of the plants and I know some artists do use them but if I can’t see something with out my good glasses then I am not going to worry about it too much. One undoubted advantage of age and less acute eyesight is that everything has nicely blurred, soft focus edges, including wrinkles, grubby worksurfaces and the wobbly edges on my work. To submit my kohlrabi to the pitiless scrutiny of the magnifying glass would seem too cruel and could be just too disheartening.
My models are all wilting and smell more cabbagey by the day, but they have stayed fairly fresh in the fridge every night. In the photo below you can see them along with K1 at the back.

This is the most complicated piece I have tackled so far and the biggest ..phew.. I will think twice before doing a dark subject with dark leaves again. I used an amalgam of bits and pieces, a leaf from one and the rounded base from another. They all differ in colour slightly but all did have a purple tip to almost every leaf serration, which drove me to distraction.
I can’t say it is really “finished” and as usual, all I can see now are the mistakes, but I have had enough of it. Tomorrow I will venture out and see if the world is still there.. hurrahhhh..

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Kohlrabi middle and (almost) final stage



Watercolour on Fabriano Artistico HP, size 16.5 x 12 inches.

Leaf of the Day: K2 Base Camp

I had only a couple of hours yesterday on this vegetable challenge.. so nothing really to post. Today a solid 8 hours, during which time I seemed to take more paint off than I put on. Why, oh why does the paint slide around so much? Perhaps I am working on the wrong paper for my rather heavy handed way of applying paint. I am giving myself 2 more days on this, after which it is going in the post, finished or not.
Tomorrow the south face, which I understand is known as the suicide route.. 🙂
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Kohlrabi again

Leaf of the Day: A Bimbo comes between Eleanor and Franklin

After that long post yesterday (somewhat excessive displacement behaviour to avoid the K confrontation), this is mercifully short. I have spent the morning framing a few pictures and decided I wanted a few more colour studies. So today to get away from the very tight botanical stuff I decided to paint some fun colourful crotons. I intend to do 3 more just to show the variety of colour and pattern. I now realise I will have quite a few crotons to show, which is ironic as I really didn’t much care for them initially but their relentlessly cheerful colours, tolerance of adverse conditions and general good nature win you over in the end, you just have to give in. There are people like that too. I have thought that Julie Andrews might be one of them.
The croton names are many and delightful but, confusingly, each variety may have as many as 7 names. For my next three I will be able to choose from Mona Lisa, Picasso’s Paintbrush, Sloppy Painter or Norman Rockwell. Unwittingly I put Bimbo in between the Roosevelt’s, just for the sake of design. But at Leu Gardens this is not the case, Eleanor and Franklin are planted side by side, which, knowing a little about their relationship, is not a position I am sure Eleanor would necessarily approve of.
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Franklin Roosevelt, Bimbo and Eleanor Roosevelt

Leaf of the Day: Kohlrabi Leaves ..yet more drawings

There are some days when you just wished you had stayed in bed with a good book aren’t there? Today has been a bit of a disaster work wise, and the only thing to do is just start again tomorrow. I am in a hurry with this assignment, but this sort of painting just can’t be hurried and of course things go wrong. So having spent all afternoon drawing the whole wretched thing out on my pristine watercolour paper, ready for the final painting, and laying down the first tones, I managed to get a nice big splash of purple paint on it. So far, for a splashy painter I have been fairly lucky, with only the odd little spot of stray paint but this is, of course, in a non disguisable area. If it were not for this assignment I would have turned it into an insect of some sort..but hey, it’s just sods law and better it was at the start of the painting than at the end. So I am drawing it out yet again.. I am getting a bit fed up with kohlrabi!

I did however make some more quick sketches, a drawing of one of the leaves just to sort the shape out and then a quick painting of one of the folded leaves. They are quite complicated with an irregularly serrated edge, in fact nothing is quite regular about them. There are little ancillary leaflets which grow at intervals along the stem (petiole) and the main blade of each leaf has deep divisions at the base, but not always two. As you pull the leaf away from the rounded and thickened part of the stem, there always seem to be 5, 6 or 7 main veins which anchor the leaf and pull away leaving the little indentations on the leaf scar. Fascinating.
Well I guess finished version 2 will be better…Hmmmm. Meanwhile I am going to find some chocolate..
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More Leaves…

Leaf of the Day: More Kohlrabi Sketches

I only had the evening to work today and the deadline for veg is getting very close. So I bought some new kohlrabies, bigger this time and with more leaves. They are not the freshest and the leaves are somewhat limp so I am having to “arrange” them a bit. This is the problem of living in a city. I did go to the local farmers market last Saturday but found nothing better there and I can’t find any with roots intact, so these will have to do.
As I can’t draw such a complicated piece straight onto the watercolour paper (I would need to rub out too much and damage the surface), I have made a pencil sketch first and think I will also have to work out the leaves in more detail before painting.
This will be quite a big piece. I had to use the big 16 x14″ sketch book for the pencil drawing (and had to scan the drawing in 2 halves as you can see).
The new colour sketch is on the smaller 9 x12″.

For me, the danger of having to draw and redraw something is getting bored with the image. I do like to get on with the next thing. But it really does pay off if you can persevere. I have great regard for artists who specialise in just one subject … say butterflies or birds, I just don’t have the temperament, but that is the way to true excellence. I have been reading more about Audubon whose dedication and drive was completely extraordinary, the more I read, the more I respect and admire this remarkable man. Even if I had the talent and the drive I don’t have enough years left to match a fraction of his achievement…

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More Kohlrabi Sketches


Pencil sketch on cartridge 16 x 14″


Watercolour and Pencil, on Kilimanjaro Watercolour Sketch Book 9 x 12″

Leaf of the Day: Beginning Big Leaf #1

I have only 6 weeks to go before I have to put up the exhibition at Leu and, as I habitually do, I make a chart of the time I have left, put it up on the wall and then forget about it. It’s just a little ritual which reassures me that, because I have made a chart, I have things under control. This is self delusion of the first order of course but is comforting. Deadline angst will kick in by about week 5.

I promised myself that I would try to get a few large pieces done for the show so today I have been planning those. I want to paint some more leaves from the garden and this is a chance to tackle some of the larger ones.
I have a beautiful big leaf in the fridge which has been there for a while. Unfortunately I am not quite sure what it is. It came from Leu but the tree has no label, which I am not going to worry about for now .

I haven’t recorded a piece of work from idea to finished piece before so it will be interesting for me to see where it goes and at what point I probably should have stopped.. .. but didn’t!
So first the some tiny quick design sketches, in a 4″x 6″ sketchbook, of some ideas I have been thinking about.

I do so wish I could keep exquisite sketchbooks. I have said before that I so admire the sketchbooks that some artists manage to keep. They are often beautifully laid out, carefully and methodically annotated, all the same size and colour, or in matching sets, becoming works of art in themselves.
Sadly I am not one of those artists, I have tried but just can’t do it. My sketch books are a mishmash of shopping lists, phone numbers, written notes, ideas, and scribbles and would not be valued by anyone except me. I write on anything to hand to work out an idea. I do try to keep all the bits and pieces though and sometimes find an idea that, at the time had nowhere to go but seems much more promising second time around.

I did manage to get the sketch book out for these prelim sketches…

I next started a pencil drawing which was supposed to be a detailed drawing but I abandoned it, because for some reason, I had decided to try the Bristol Board again .. Very Bad Decision. I really don’t like the surface at all, it’s slippery and any bit of grit from the pencils makes nasty scratchy marks. So I converted it into a sketch which is still useful and at least worked out the cast shadows that I like so much.
I also had to scale the drawing down to one third of the leaf’s size, that too was unsatisfactory, as it is partly the size of this leaf that makes it so impressive.

This small drawing made it seem nondescript, so that made me decide on a bigger canvas size too, a nice big 3ft x2ft
I bought a canvas and primed it a warm dark grey and sketched out the basic design and blocked in a bit. That’s it for the painting today.

However I needed to make a more detailed drawing of some parts of the leaf just to understand it better, especially the centre area.. so here is a drawing of a small section which will hopefully help with the painting.
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Big Leaf Detail

Leaf of the Day:Thai Aubergines/Eggplant

A few stripy Thai Aubergines, which have been turning brown in a container in the fridge, but I did like the shapes and their rather comical interaction. When I put them out on the table they looked as though they were having a conversation. They were a possibility for the veg submission but are past their best and really too similar to the fruit. It was a shame to waste them though.

The aubergines or eggplants are from the nightshade family Solanaceae, related to the tomato and potato.


Super photo of these beautiful purple and white Thai eggplant flowers by Kay Ess from Wikipedia here

I must admit I am not a great fan of aubergine except cooked the Andalucian way, Berenjena con Miel, fried and served drizzled with honey. This is the old Moorish way of cooking them and apparently they were introduced to the Mediterranean by the Arabs in the early Middle Ages, the scientific name Solanum melongena being derived from a 16th century Arabic term.

I seldom cook them at home probably because I don’t really understand how to use them.
Here is an explanation about how to make the best of these particular little Thai characters from “Everything2. com” here

“Eggplant becomes exceptionally porous when cooked. It soaks up any oil or liquid it is cooked in. Too often, people try to fry eggplant when the pan isn’t hot enough or bake it for a slender time. The result is a soggy, bitter mess without flavor, borderline call for take out.
When selecting a Thai eggplant, look for smooth, taught skin with little give. Ensure that the calyx is intact and firmly attached. The sepals should be hugging the eggplant, rough and green. To cook, remove the stem and spiky leaf parts by tearing off. Quarter the small orb and scrape away the brown seeds with a side of a spoon. Add to curry or bake or fry. If adding to curry, wait until the last bubble of the coconut milk when you add the basil leaves. If frying, make sure your pan is hot, put the end of a wooden spoon in the hot oil and if it bubbles around, add your vegetable. If baking, coat with olive oil on a baking sheet, salt and season and wait half an hour until the flesh becomes translucent.
A baby Thai eggplant, along with Thai basil and Kaffir limes is a wonderful compliment to the green curries

Sketchbook page and a more detailed drawing…
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Some Asian Eggplants

Leaf of the Day: Kohlrabi again…

Just the pencil study today… no time for writing… A day full of those “other things” in life which have to be done.

I got started on this study today at 3 and finished at 7. It’s 10 inches high and pencil on Arches HP. I am trying to wean myself off the cheap sketchbook now and make better studies. The paper makes such a difference but I still am not 100% happy with this particular watercolour surface. It does have a slight tooth which causes the pencil to catch sometimes and then it needs more working over. Bristol Board I find too smooth but may try the vellum finish…the endless search for the magic art materials continues.

These more detailed pencil studies are useful for understanding how the things are put together. The more you understand, the easier things are to draw, well that’s the theory …

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Kohlrabi Pencil Study


Pencil on Arches HP. Size 12″x 8″

Leaf of the Day: Kohlrabies and Indexing

Well it’s getting round to time for the next course submission piece and this time it is veg. I went to Wholefoods the other day for inspiration. I was not entirely overwhelmed by what I found, at this time of the year the squashes are over and the corn is finished but I did like these small purple Kohlrabies. I have never eaten Kohlrabi and read that it is not such a popular vegetable these days but there were piles and piles of them, so someone is eating them.

Kohlrabi Brassica oleracea from the Gongylodes Group.
Kohlrabi’s true origin seems unclear, the name is from the German ‘kohl’ for cabbage and ‘rabi‘ for turnip because of its mongrel appearance. The bulb part is not in fact a root but the thickened lower part of the stem which grows on top of the ground. Its appearance has a very quirky appeal, likened by some to a Sputnik or a hot air balloon. The leaves and flesh are edible and taste like mild cabbage, perhaps slightly sweeter.
Some sites say that the 1st century writer Pliny the Elder described a “Corinthian turnip” which could have been a variety of Kohlrabi. It was described in Italy in 1554, was first grown as a commercial crop in 1724 in Ireland and introduced into the USA in 1806. There are white and red to be found in the local supermarkets here. It is low calorie and easy to prepare. I will try it.

A little footnote to this: whilst researching the Kohlrabi I kept seeing a reference to the American Society of Indexing, here. As 90 % of my books have been reference books, I LOVE indexes. A good index is a complete joy and I feel bereft and sad if a book does not have one. I am 100% behind their aims to improve indexing in general. It is a fascinating site and one that gives hope to the disorganised. They have workshops.. lucky Chicago, who in October got “Taming the Wild Project List: Organizing Tools for the Complex Life: by Do Mi Stauber. Couldn’t we all do with some of that!
However, having looked at the site, I am still not exactly sure why Kohlrabies and indexing go together. They do have the Order of the Kohlrabi which is bestowed on volunteer members who are deemed to have given great service to the cause and these lucky recipients become proud owners of the much coveted Kohlrabi pin.
They clearly state that “The American Society of Indexers did, at its 2000 convention, associate itself with the vegetable, kohlrabi,” but not why…
Perhaps the significance, to indexers as a breed, is explained by their endearing motto;

“Kohlrabi: no one knows who we are, or what to do with us.”

Here are some prelim sketches and colour studies… there may be quite a few more..
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Kohlrabi Preliminary Sketches

Leaf of the Day: Breathe Easy Ephedra

Today a couple of stems of the rather nondescript ephedra Ephedra major, the Joint Fir, growing quietly and innocently in the Arid Garden at Leu. A medicinal plant extraordinaire which I had overlooked until I was prompted by Eric to consider its very ancient history. Who ever would have thought that was the original source of the very potent drug ephedrine, the airways expanding ingredient of old asthma inhalers that made your heart beat so very fast you thought your eyes would pop out of your head but mercifully stopped the gasping and let air rush down into your desperate lungs.. no wonder it is controlled now. My brief research seemed to indicate it is prohibited by law to sell ephedra here in the form of dietary supplements. Go to the FDA the US Food and Drugs Administration here to read more about its ban and hazards.

These curious plants are very ancient and odd. Dating back to the Triassic period (200 MYA) they were companions to the cycads, ginkgos and early conifers. They are one of the three members of the Gnetale order. The other two genera, Gnetum and Welwitschia, are even stranger and I hope to come across them one day.

Ephedras are drought-resistant shrubs growing to about 4 ft height with slim jointed stems and reduced scale-like leaves which grow in opposite pairs at each joint. Male and female “flowers” bloom in spring on separate plants in cone like structures which are followed by small brown to black seeds.


Image and info about plant evolution here from Maryland University’s succinct page.

Known as a significant medicinal plant by the Chinese for centuries, the Asian species of ephedra have much stronger concentrations of ephedrine than their New World relations. It was discovered that as long ago as 48,000BC Neanderthals had prepared a burial site inside a cave in Iraq where the bodies were found to be surrounded by eight medicinal plants, amongst them Ephedra viridis.

Here the native Indians made teas from ephedra for all manner of disorders, including stomach and bowel problems, colds, fevers and headaches and made poultices for burns and ointments.
With the arrival of the European settlers it became known as Mormon Tea, Brigham Tea, Cowboy Tea, Whorehouse Tea, or Squaw Tea.

“Early Mormon settlers, who abstained from regular tea and coffee, drank the beverage made from this plant. A handful of green or dry stems and leaves were placed in boiling water for each cup of tea desired. It was removed from the fire and allowed to steep for twenty minutes or more. To bring out the full flavor, a spoon of sugar or some strawberry jam was added depending on individual taste.
Other white settlers used a very strong tea of the plant for the treatment of syphilis and other venereal disease, and as a tonic. It was standard fare in the waiting rooms of whorehouses in early Nevada and California. It was said to have been introduced by a Jack Mormon who frequented Katie’s Place in Elko, Nevada during the mining rush of the last century.

from Wes Larson’s Mormon Tea web page here

In its strongest form, the dangerous má huáng tea made from Ephedra sinica is very potent. Used by the Chinese for more than 5000 years for asthma, upper respiratory infections, fever and congestion, one of its characteristics is the speeding up of the metabolism as well as heart rate, which has made it alluring to slimmers. However, a helpful site ( still trying to sell you the pills ) does state that “serious dangers such as death” are recorded side effects.. Hmm what else do you need to know.. perhaps just eat less.. ?

Also at Leu is an ephedra distacyia or sea grape, which Trade Winds Fruits here say has edible berries I will let you know. 🙂

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Ephedra Major, Joint Fir.