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Sketch Notes from the British Museum 1: Incomplete Animals

In January I resolved to go and sketch somewhere different once a month. I didn’t make it in January, but on Thursday, with Beautiful Beasts and the dragon puppet in mind, I spent a few hours at the British Museum. It is my very favourite place in London and I never leave without finding something new and fabulous. This time the trip was for more for visual research, than sketching for its own sake and I spent a long time just wandering and looking, and then returning to make notes. I made about 20 rough notes of beasts, bits of sculpture, of fabrics and ceramics. I was looking for dragons, found a few, but saw many other bizarre and wonderful creatures too.

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Dragons, lions, a cat, dogs, horses, a pig, a hen, a fire serpent, a harpy and a frog… from various rooms at the British Museum.  Pen in A5 sketchbook.

Incomplete Animals

Following on from my Incomplete Dodo from the Hunterian Museum, and as you might expect in the British Museum, I found some more delightful  incomplete animals. This is a pegleg Chinese Horse

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The Pegleg Horse, the sketch and my sketch kit.

My sketching kit is very simple. One pen, 2 sketchbooks one A5 and one A4 and a water pen which I sometimes use.

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he Peg Leg Chinese Horse, A5 sketchbook

And then I found some wired crouching lion guards from the Nereid Monument in room 17.  One has a disembodied foot, both have missing bottom jaws.. poor things.

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A metalwork lion and one of the great crouching Nereid lions

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Another view of the crouching jawless lion, some of the beautiful big Chinese ceramic horses and a macabre little figure made of lead and glass with an ivory mask face. It was straight out of a Quay brothers film. But this one from the 7thC AD. Turkey. A4 Sketchbook

But my very favourite thing from this trip was a small stucco fragment of a horse being embraced by two disembodied arms, what a beautiful thing it is.

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Fragment of a Horse.
Ming-oi, near Shorchuk, 8th-10th C.  Stucco with traces of paint.

I decided this would be my subject for Beautiful Beasts next week. I returned to the Museum for an hour yesterday and made some more notes which I will post this coming week. I could just take photos but drawing something means you have to spend a long time looking at it.

Sometimes the thing turns out not to be as interesting as you had hoped,  but often it is through the quiet, slow, observation and drawing that you fall in love with it and find some unexpected beauty.

Week 6 Visual Notes

Continuing my rough, walking sketches, quick notes on my early morning walks in a small A5 sketchbook.  As I say to my workshop groups, it’s not about making a finished drawing, it’s just visual note taking and very good for hand/eye/brain co-ordination. They take about 10 minutes or less.

MON :
A dark cloud over to the West.

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There was an echo in the sky and land shapes

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Later I spent the day at the Church for my Sketchbook-in-a-Day practise. TUES:
Cold and windy. I like the bramble bushes on the shoreline The water was black this morning.

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The sun came out as I walked. The gulls look beautiful lit from underneath. Sometimes their wings cast a shadow over their bodies. The squiggly drawing was a poor squashed frog on the road, further up were two flattened tiny grass snakes. What a shame. Its a quiet road so these little creatures were very unlucky.

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WED:
A late walk on a stormy afternoon,  a magnificent rainbow appeared to the west. I think it’s rather futile to try to paint rainbows and sunsets. Nothing can come near the real thing..but it was worth a note.

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THURS:
A very quick note of rooks in the willows on the shore before going out for the day.

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FRI:
A very busy day with my sketching workshop at Easton Walled Gardens. My wonderful, hardy and willing group all braved the cold, did an amazing number of excellent sketches, all completely different. We had hot homemade soup to warm us up and I was so delighted by the amount and quality of the work produced. We are planning an exhibition of the work next year.

I only managed one very quick note of one of the gardeners working by the compost heaps.

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SAT:

I had an excellent day in London printmaking. I now have lots of rooks! More of that later. I waited for the train at Huntingdon. Early mist was drifting across the lines.

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….and a quick note of St Pauls. Walking from the tube you see the dome at the end of a long narrow side street. It looked magnificent in the cold sunny Saturday morning. It’s quiet in the early mornings at weekends in this great city and, for me, this is a particularly favourite part. Steeped in history and drama, Ludgate Hill, Cheapside, Limeburner Lane, Fleet St, Bridewell and Blackfriars. It’s a wonderful place.

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This coming week, hopefully some colour notes and more printmaking.

Stops, Starts and some Starlings

General Progress
If the blog is quiet it generally means that I am not, and over the last few months there has been so much to do, including trying to pretty up the Ugly Bungalow and fill the Empty Garden. “Ongoing” is, I think, the best way to describe progress.

The garden is certainly filling up and if anything has been brave enough to attempt to grow, including weeds, they have generally been left to get on with it. Field poppies and tiny pretty corn pansies sprang up everywhere and it was fascinating to see bees and hoverflies queuing up for an early nectar hit as the poppy flowers unfurled.

The bee-flower planting despite the poor weather has been very rewarding. I am trying to make a list of what has worked and what has been a complete surprise. Birds, bees, dragonflies large and small, frogs, mice and joy of joys a hedgehog have all arrived and will hopefully stay awhile.

My Bee House is filling up and the Wasp Tower nearby (an up-ended old log) has been enthusiastically colonised by many tiny black Pemphredon lugubris the wonderfully named “mournful wasps” who seem far to busy to be sad about anything and an awesome hoverfly killing wasp Ectemnius cavifrons.

Swallows and Starlings

The birds have been delightful. Blue tits almost nested in the nest box but moved on, flocks of whispering longtailed tits collect in the trees. Finches of all descriptions come and go, and sparrows, robins and blackbirds are always with us. A tiny wren lives in the hedge and a solitary black crow stayed for 2 days and ate every one of the 6 cherries on our new tree.

Ever since we arrived, there has always been “The Gang of Three.” Three glossy spotty starlings, always a trio and always hungry.
They must all have found love this year because a few weeks ago gangs of shrieking young starlings arrived to squabble over the bird food and just fight in general.

I am very fond of the starlings and may make some drawings later this year but I did make a few sketches to try to get “essence” of starling.  At this stage they are a drab brown with hints of the handsome spotty plumage to come.

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Probably most charming was watching the swallows teaching their young ones to fly.

One evening at dusk we noticed swallows flying round and round our small garden.
This was unusual and then we saw they were a family. The little ones balanced uncertainly in the tree branches while the adults made brief circuits of the garden, swooping up to the eves of the bungalow and back to the babies, calling and calling to them.. “come… fly”.

You could hear the dry snap of their wings and feel the rush of air as they circled round and round.

The hesitant baby swallow.

One little bird was very unsure, hopping from branch to branch while its brothers and sisters launched themselves into the air and the darkening garden. A safe haven I guess for flying practice. Three days of aerobatics and they moved on.

Goodbye to Buzz for a while and back to Sketching

The Yewbarrow House day was the last “Buzz” show for this year and activity in the bee world begins to slow down generally. I will still be painting my lovely bees (of course) but have a couple of new projects in the wings and some teaching to prepare for.

Meanwhile with a little more time I will be out and about and back to sketching, and to blogging my varied results, along with some more observations about life, art and nature. 🙂

A Start with the Bee Plants & Bombus lapidarius sketch

I have spent many, many hours over the past month reading books, seed catalogues and online advice about how to plan the garden, what to plant, where and why.
The planning has involved a lot of staring at the mud patch, a huge amount of digging and moving barrow loads of soil from A to B and then on to C and sometimes back to A again.

We have added a couple of new paths, constructed two simple raised beds, (hopefully correctly placed and orientated) and excavated a small hole, now plastic lined and water filled which will, without doubt, become a magnificent wildlife pond.

Some fascinating pond progress:

pond 1    pond 2  

pond 25     pond 3

It’s a small thing, but wonderful because a patch of shimmering sky has suddenly appeared in the lawn and, when the light is right, is bounced up into the kitchen to dance high on the tops of the cabinets and ripple on the ceiling..Quite lovely.

Planting the pond This is not my first pond but the first I have tried to create with regard to native plants and wildlife. Luckily I found the extremely helpful Puddleplants who can provide wildlife friendly collections for native and ornamental ponds.

So the pond is now started and after some excellent advice from Annette at Puddle, the first plants to go in are:

Deep water plant: Fringe Lily,
Oxygenator: Starwort
Marginals: Marsh marigold, Purple loosestrife, Yellow flag, Water mint, Forget me not, Bog bean, Brooklime, Cotton grass, Carex and Penny Royal.

I will add more as they become available, but (and this is doomed to fail) will try not to plant too much. It’s a problem because I tend to get over-excited about the possibilities and over-optimistic about the greenness of my fingers.
I am beginning to edge the pond with stones, have made two escape slopes for hedgehogs and small mammals, have an overhang to create a shade area and some old roof tiles and bits of wood waiting to be placed around the edge which will give cover for frogs etc.
I won’t be having any fish.
Advice indicates they are not compatible with other wildlife, although I did like to see the brilliant orange flashes of my small goldfish in the previous pond who, for years, seemed to share their home companionably with frogs, newts and sticklebacks.

And more working bee drawings… Working on the the garden, revising the rats nest of electrics in the roof and trying to get some heart into the ugly bungalow by opening up the chimney for a woodburner, seem to have caused a huge and disproportionate amount  of mess and chaos.
Everything has been covered in plaster dust and mud and my work room has been piled up with “stuff” so artwork has had to take a back seat for a couple of weeks.

But I am back to the working sketches now and to Bombus lapidarius, the Red Tailed or Stone, Bumble Bee. I never get tired of watching this bee. Luckily for us they are very common.
The queens are big and extremely beautiful, so very velvet black and so very flame red. They were the stars of my bee walks at Heligan. Every day for two weeks, at 2.00 pm,  perfectly on cue, the workers zoomed in and out of their nest.

We would walk over to a patch of rather unpromising ground by a tree where there was a small hole in the earth. “Just watch” was all I had to say. The Oohhs, Ahhhs and delighted smiles were very rewarding.

They like to nest on the ground, under things, often at the base of walls or under sheds (yes…I am hopeful).. hence the name the Stone Bumble Bee. I have been looking out on BWARS for early sightings, one was possibly seen on Christmas Day but nothing reported since then.  Looking at the forecast for this week I hope they are still hunkered down.

I am still undecided about the flower. The possibilities are many because they forage from a wide range of plants.  Thoughts are maybe a scabious of some kind.

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PS. Most fun and satisfying recent gardening activity:

buying a cheap garden shredder to chop up the massive pile of mixed hedge loppings and then using them for mulch… How green are we?? …3 hrs of legal and productive destruction…highly recommended 🙂

Blue, Beautiful and Rare, Ceratina Cyanea the little British Carpenter Bee

This is a lovely bee.

I have here on my desk some little USA Ceratina duplas and the colour is quite beautiful.
To the casual glance they look black and are very small but when they catch the light they shimmer with a Prussian blue sheen.

Ceratina cyanea is the UK, Small Carpenter Bee, possibly overshadowed by its very showy relation, the magnificent Xylocopa violacea which I painted and wrote about here and which is also making an appearance now in the UK.

It seems to be  confined to a few areas in Southern England. There is a very good and rather poignant account of this bee from the Essex Field Club Site which shows how the casual destruction of habitat can so easily see the demise of one  species in an area.  This was updated in 2007 and I haven’t had time to check with BWARS but I hope there are more recent sightings.

Unlike the other carpenter bees this one wont be drilling holes in your fascia boards or fence posts but will be  looking for a nice dry brittle bramble or rose twig.
I don’t have a copy of this book ‘Bees of Surrey’ by David W. Baldock but it has been mentioned to me so often in relation to solitary UK bees that I think I must get a copy. It has a description of Ceratina cyanea and the book is available from BWARS.  

Readers will know how much I like the older natural history accounts.
In light of the arrival of the Xylocopa in the UK  it is interesting that in
“Marvels of Insect Life: a Popular account of Structure and Habit”
1916 , author Edward Step is regretting

“that the big carpenter bee has not crossed the English  Channel and added its name to the list of British bees. But if we cannot boast of having one of the largest of bees among our fauna, we have.one of the smallest, that is also a clever worker in wood, whose metallic blue body only measures a quarter of an inch.
It is related, moreover, to the burly continental, and shares its habits, though it works in softer materials as seems fitting to its diminutive size. Ceratina needs no bulky post to accommodate its series of cells.
Everybody knows that the long shoots of the bramble that have borne this autumn’s crop of blackberries will die off in the winter and become brown and brittle.
Next spring ceratina will be taking stock of these, and looking for one that has a broken end. Into this she will tunnel, clearing out the pith to the length of about a foot, dividing the cleared space into tiny cells, laying an egg in each, and leaving a mass of suitable food. The partitions between the cells are made of the fragments of pith cemented together by means of her saliva.

Here is an extract from the snappily titled “ Penny Cyclopædia of the Society for the Diffusion of Useful Knowledge” by the Society for the Diffusion of Useful Knowledge published in the UK in 1836.

Ceratina ceerulcea (Apis cyanea, Kir.), a little bee which is very uncommon in this country and found during the autumn in the flowers of the Jacobeae, ( “ragwort” to us) will serve as an illustration of this genus :—it is about a quarter “of an inch in length, of a bluish-green colour, and very smooth and shining ; the fore part of the head in the male is white. There is a long and interesting account of the habits of this little insect given by Spinola in the tenth volume of the * Annates du Museum d’Histoire Naturelle, from which the following facts are drawn.”

You see even horrid ragwort has its uses! There are other references to Spinola’s observations of the Ceratina, but I have yet to track down a copy in English of his writing. It would be very interesting to find one.
I have had some lovely encounters with the local big carpenter bees.
They are delightful, gentle and beautiful, and the local Xylocopa micans has astonishingly huge green eyes.

The Painting Given the above, there was not really much of a decision to be made, as to what plant to draw with the beautiful bee. But, you can see by the manic scribbles (short of time) I was initially a bit undecided where to put the bramble branch.

Copy of cyan sketch 1    ceratina sketch 2

This is my final decision and,  don’t you just love blackberries! If there is one memory of childhood that I really treasure, despite the ripped clothes and bleeding hands it was blackberrying! I painted a blackberry before and quoted the wonderful Sylvia Plath poem here. It’s always worth another mention.

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The Small Carpenter Bee Ceratina cyanea


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Watercolour and pencil on Arches HP approx 8” x 9 “

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** Footnote, Thanks! I just want to say a few big “thank-yous” to the people who are helping me promote the exhibition. Stuart at BWARs for an advert right on the front page of the website! Dale at Buglife.org who will be raffling my print tomorrow at their annual get together.
The tireless Damian at Help Save Bees who has done so much to get the message out about bees.
He twitters, enthuses and inspires. If you are interested in bees follow him on Twitter!
Elephant’s Eye for inclusion in her blog post about artists Artists at Work” here.
Dan for her  mention here.
All my other very kind blog friends who have put ads on their sidebars and given me mentions and my emailing and facebooking friends too of course.
I am really grateful to you all  I will get round to saying personal thanks to you all if haven’t already.

Anthophora plumipes. More Hairy Footing in the Spring Garden.

I am revisiting the delightful Hairy Footed Flower Bee, Anthophora plumipes which I drew before back in November here. I wrote quite a bit about these funny little bees then and so won’t repeat myself, but here from the Natural History Museum identification sheet is a nice short description

“Large, long-tongued species resembling a small bumblebee; body length 14-17 mm. Female has body hair entirely black, outer surface of hind leg with golden hairs; body hair of male mainly a rich brown (face bright yellow). Common in gardens where it mainly visits deep-throated flowers. Cell walls consist of a conglomeration of fine particles of soil or mortar which are probably bound together by a secretion from an abdominal gland. This bee flies, with a shrill hum, from mid March to the end of May, rarely June. It is distributed throughout much of England and Wales (especially in the south); absent Scotland and Ireland.”

My real dilemma was which one to draw, the male or the female. I drew the male before because he is the one with the bizarre and wonderful feathery feet, lovely yellow markings on the face and a Roman nose. Below is a photo of the male, you can see the feathers on his front legs.

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Male Anthophora plumipes , Photo Cosmin Manci from Shutterstock.com

The female could not be more different, they are mostly black and shaped like a little bomb. But they are really super sweet, whizzing around with their bright, ginger coloured legs.
They are early bees and so can be seen foraging on primroses, and a absolute favourite spring flower of mine, cowslips.

Here is a great photo from Brian Stones blog, The Natural Stone. In the post “Plenty in the Garden” from April 2005 a little female Anthophora is making, just as you would expect, a beeline, for the cowslips. This post also has two lovely frogs.. I do hope one day I get to paint some frogs .. Brian’s blog is full of wonderful photos and observations, I did particularly like the delightful bee flies here.

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The Anthophora bees also like lungworts,or pulmonarias which have the same long tubular shaped flowers as the cowslips, whose deeply hidden nectar is easy for these long tongued species to access.

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Beautiful pink and violet Pulmonaria, photo from “Sad” at Shutterstock here

If you would like to attract these super bees to your garden do go and read Blackbird’s post Flower Bee Garden.. April 2009 from her excellent Bugblog which I quoted from on the last post.

You will find a list of flowers that will have Hairy Footed Flower bees frolicking in your garden. What could be nicer?

 

The Painting

I just couldn’t decide between the wonderful spotted leaves of the lungworts or my favourite cowslips.

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I left it, until I had no more time to decide and went for the cowslip flowers. The spotted leaves might just have been a bit too busy and distracting…. but I might just have to paint that little male bee again, perhaps displaying those lovely hairy feet on a nice spotted Pulmonaria leaf.

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Anthophora plumipes, The Female Hairy Footed Flower Bee and Cowslip.

 

I know the scientists may shrink in horror at the description, but this bee is just “too cute” for words!!
Watercolour and Pencil on Arches HP .. size approx 7×7 inches.

Bee No7: The Beautiful Violet Carpenter Bee. Xylocopa violacea

This is the companion to Bee 6: the Southern Carpenter Bee, Xylocopa micans.

The Violet Carpenter Bee is one of the biggest bees in Europe and has beautiful blue/violet coloured wings and a big shiny black body. It just had to be included in the set.

The facts: CLASS: Insecta
ORDER: Hymenoptera, Bees, wasps, ants and sawflies.
SUPERFAMILY: Apoidea. Bees and some wasps.
FAMILY: Apidae. Bees.
GENUS: Xylocopa. Large Carpenter Bees
SPECIES: Xylocopa violacea

This bee is common to the Mediterranean and Central Europe and now has been spotted occasionally overwintering in the UK. It has the same bad wood chewing habits as the other Carpenter Bees.
There is another species of furry tan Carpenter Bee the Xylocopa varipucta which is on my list to paint and has been described as like a small flying teddy bear and I may get round to it later. .. so many bees so little time!

Bad news for Bees of Baldwin Park
Yesterday, the tidiness police came round to Lake Baldwin and decreed the chopping down of untidy weeds.
We are allowed an environmentally protected zone as long as it is neat.
A mowing man arrived and the whole of the lovely messy tangle of flowers, grasses and reeds has been razed to stalks and stubble. We had this….

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Now this, even this last clump of horsemint in the foreground was gone by lunchtime.

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Gone are the Spotted Horsements, the Indian Blanket, the wild Blue and Golden Asters, the Yellow Tickseed, the grassy Bottle Brush, the Morning Glories, the Dog Fennel, the brilliant Scarlet Tassel Flower, the delicate purple headed Hairawn Muhly, the silvery Bushy Bluestem, the small Rattle Box shrubs, the Lopsided Indiangrass whose beautiful feathery tops glistened in the morning sun, the odd black dots of the Rayless Flowers, and various pretty Red Pea flowers, and that is to name just the few that I can identify … but we are tidy now.

Gone too are the singing frogs, the chirruping crickets, the sand wasps, the paper wasps, the clicking dragonflies, the beetles, the snakes, the lizards and a million bugs and flies and worst of all, my bees.

All is silent, still and a bit sad.

Of course it will all be back in due course but it seems a shame.

But back to the Carpenter Bee and a simple sketch to just get the proportions right.

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and a colour sketch

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Bee No 7: The Violet Carpenter Bee, Xylocopa violacea

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Leaf of the day: 50 (ish) Yaupon Holly Leaves

I am revisiting a few plants this week to fill in some gaps for the exhibition. Today the Yaupon Holly, another favourite tree of mine. It’s the tree of the nauseating Black Tea ritual which I wrote about here, in the post “Yaupon Holly, and a liquor that sorts the Men from the Boys”. Even if your Latin is rusty, the botanical name, Ilex vomitoria, gives the game away. The blog post will be printed for the exhibition and I felt this important Florida native needed some better representation than the one pencil drawing I had made. The trees at Leu differ slightly but I found a nice sprig of the weeping variety to paint on Saturday. These elegant trees still have some berries and are really so pretty, with tiny leathery leaves, the very longest on this sprig is only 1 inch long. There are also even tinier white flowers. I have painted two but they are difficult to spot.

This branch is from a particularly attractive weeping tree at Leu which grows in the Arid Garden, taken back in early December. Until recent pruning, the berry laden-branches cascaded right down to the ground, arching and criss-crossing so elegantly. The Arid Garden is undergoing some reconstruction at the moment, ousting some non arid species for some more desert loving plants. It will be very interesting to see how it develops. The frogs will have had a shock as their overgrown home near around the pond has now been razed to the ground, but I am sure they will have found some other accommodating damp spot nearby.

I would definitely plant a Yaupon Holly if I had a garden. Not only are they very attractive (and can be used as a substitute for box as a hedge), but when times are hard and coffee expensive, a chew on the leaves will give you that necessary caffeine hit, so valued by the Timucua Indians. I have read that as well as being brewed for “black tea”, the plant was used as an hallucinogen to “evoke ecstasies” but also, confusingly, the bark was used to treat nightmares?
That seems contradictory to me but in the mysterious and sometimes dangerous world of ethnobotany all is possible.
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Yaupon Holly Sprig


Watercolour on Fabriano HP. 15″x9″

Leaf of the Day:Samara of the Southern Red Maple

Today, to get back to painting, a study of one of the small samaras of the Southern Red Maple Acer rubrum v trilobum, native to Eastern United States and growing at Leu down by the lake overlook, with a small companion Sugar Maple, Acer saccarum ssp Foridanum nearby. There were bunches of these pretty winged seeds all over the ground a couple of weeks ago and I think, had I painted this one immediately, the colours would have been brighter. It’s very small, only 2.5 inches from the top of the wing to the bottom of the stem
This particular variety is distinguished from the regular Acer rubrum by its smaller and 3 lobed rather than 5 lobed leaves, which generally turn yellow rather than red in the autumn.


Trilobum leaves


Staminate, Male Flowers
These super photos by Will Cook, from the excellent reference page at “Trees, Shrubs, and Woody Vines of North Carolina” site here

These beautiful small flowers are also much loved by bees in the spring, and the more I learn about bees, the more concerned I am about them, and the need to plant and encourage bee friendly plants.

And the Red Maple is not only beautiful but useful. The early European settlers learnt how to utilise the maples from the native Indians and the Red Maple was used amongst other things to make ink and dye stuffs. Peter Kalm the student of Linneus wrote of the Red Maple in 1750, “Out of its wood they make plates, spinning wheels, spools, feet for chairs and beds and many other kinds of turnery. With the bark they dye both worsted and linen, giving it a dark blue color.”

Despite the icy temperatures of last week we haven’t seen snow here but those in northern climes must welcome the splash of colour from this lovely tree.
Here is a description from Donald Culross Peattie’s “Trees of Eastern and Central North America” again.
” All seasons of the year the Red Maple has something red about it. In winter the buds are red, growing a brilliant scarlet as winter ends, the snow begins to creep away and the ponds to brim with chill water and trilling frog music. So bright in fact that if one takes an airplane flight anywhere across the immense natural range of this tree one can pick out the red Maples by the promise of spring in their tops, for no other tree quite equals them at this season in quality or intensity of colour.

Ah… the promise of spring, doesn’t that lift your spirits? We already have more vocal birds here and yes, the frogs are getting noisier too..

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Red Maple Samara


Size, 3.5 “. Watercolour on Arches HP

Leaf of the Day: More Mr Catesby

The essay is just about finished but, of course, I keep finding more fascinating bits of information. When you think about what he achieved in the times he lived in, you really have to admire him.

His massive work “The Natural History of Carolina Florida and the Bahamas.” had 220 plates of birds, plants, trees insects, snakes and mammals with accompanying written observations. It took approximately 20 years to create and was finished in 1747. Being very concerned that his drawings and paintings were translated accurately into print, and to save money too, Catesby went to the trouble of learning the highly skilled art of engraving his own copper plates, from which the black and white prints would be taken. These were then hand coloured, which accounts for the variation in the images you may see on the Internet, although Catesby took great pains to ensure that the colouring was accurate.

It is hard to conceive of such a project now being so carefully and slowly produced. The work was issued in sections of 20 prints which were produced every 4 months and sold by subscription which was a common way to finance a large project in those days. It would be almost impossible now to publish a “scientific” book over a period of 20 years without the information becoming obsolete, even within just a few months, such is the speed, not only of change and discovery but also of the dissemination of information.

This is a first edition copy. “It has the signature on the first title leaf of John Custis of Williamsburg, with whom Catesby stayed briefly while doing the field work on which the book is based, and from whom the book passed to Martha Custis Washington. Bound (or perhaps rebound) at Georgetown College in full calf in the mid-19th century. Gift of George Washington Parke Custis on the occasion of his addressing a Georgetown College commencement, July 4, 1833.”
from the Lauinger Library Collection, Georgetown. here

However, despite some mealy mouthed critics, Catesby’s great work was rightly acclaimed. With its big colourful plates and lively text it remained the most important illustrated record of the fauna and flora of North America until Audubon came along a century later. It was the sole reference for 38 of the 100 entries for North American birds detailed by Linnaeus in his 1748 edition of Systema Naturae. In 1790 Richard Poulteney the 18th Century biographer of botanists thought it “the most splendid of its kind that England ever produced.” The more of Catesby’s work I see, and the more I read about this engaging man, the more I enjoy and appreciate his work. His fondness, delight and wonder for all he saw shines out from every beautiful and fascinating plate and text. I am sure I will be returning, his observations about snakes are particularly interesting, meanwhile here is one complete entry from the book for the Ladies Slipper and the Bullfrog, which was renamed in his honour in 1810. It is now known as Rana catesbeiana. It is a long entry but is lovely example of his writing and observation.

Rana maxima Americana Aquatica: The Bull Frog.
The Figure here exhibited is smaller than many of these Frogs I have seen: The Eyes were oval, very large and prominent, the Pupils having yellow Circles round them: The Irides of a dusky red, encompassed with a yellow Circle behind, and a little below the Eyes appear the Ears, of a circular Form, and covered with a thin transparent Membrane, which is the Membrana Tympani itself, which in this Species of Animals lies quite bare, and exposed, being even with the Surface of the rest of the Skin, having no Meatus Auditorius, or Passage leading to it, nor any Thing like an outward Ear to guard it.
The Colour of the upper Part of this Frog, was dusky brown, thick set with large irregular limped Spot, of a dark brown Colour, the whole being blended with a yellowish Green, particularly the fore-part of the Head and Chaps; the Belly dusky white, with a Mixture of Yellow, and faintly spotted.

These Frogs are less numerous than any other of the Frog kind, and frequent Springs, only, which in Virginia abound in the Sides of every little Hill, where by the continual running of the Water, a small Pond or Hole is usually made before the Mouth of the Spring, which is rarely without being possessed by a Pair of these Frogs: They are usually sitting on the Verge of the Hole, and when surprized, with a long Leap or two enter the Mouth of the Spring, where they are secure. It is the general Belief of the People in Virginia, that they keep the Springs clean, and purify the Water, wherefore they never kill, or molest then, but superstitiously believe it bode them ill so to do.

The Noise they make has caused their Name; for at a few Yards Distance their Bellowing sounds very much like that of a Bull a quarter of a Mile off, and what adds to the Force of the Sound, is their sitting within the hollow Mouth of the Spring. Tho’ the imaginary Usefulness of these Frogs is frequently a Means of their Preservation, yet their voracious Appetites often causes their Destruction, they being great Devourers of young Ducks and Goslins, which they swallow whole; this provokes the good Wives to destroy them, but as they are not very numerous, this Mischief is the easier prevented.

Helleborine: The Lady’s Slipper of Pensilvania.
This Plant from a fiberous Root rises with two or three single Stems, to the Height of ten or twelve Inches, with long ribbed Leaves, growing alternately, the Flower as it is longer resembles more a Slipper than any other of this Tribe that I have seen: It differs also from others of this Kind, in having a Slit from the Top to the Bottom of the Slipper; over the Hollow of which is fixed two small oval Bodies or Knobs, over which hangs a thin Membrane or Lappet, of a pale Red or Rose Colour, and under these Knobs is another Membrane of the like Form, but of a green Colour: The Four exterior Petals that compleat the Flower are placed cross-ways, and are of a yellowish Green, ribbed and stained with Red. The Slipper is of a greenish Yellow, with a Tincture of Red. This curious Helleborine was sent from Pensilvania by Mr. John Bertram, who by his Industry and Inclination to the Searches into Nature, has discovered and sent over a great many new Productions both Animal and Vegetable. This Plant flowered in Mr. Collinson’s Garden in April, 1738.

A film has been made about Catesby, which in today’s terms took almost as long as his book to produce and needed sponsors too. It was started in 2005 and premiered in 2008, to very good reviews. It is due for some TV showings and there is a DVD ..my credit card is by my side! Read more from the Catesby Trust here. .

Leaf of the Day: It had to be Mark Catesby

I hummed and haa -ed for a few more hours today..who to write about? I inevitably found other artists and spent more hours looking and reading but eventually decided on Mark Catesby.
Typically I love the research and get terribly and wonderfully side tracked but hate the writing up, the pulling it all together, into a coherent whole. The floor around my desk is knee deep in a big muddle of paper. My reluctance to get on with it is not helped either by my inability to type. Oh if only I had listened to my mother extolling the virtues of a secretarial training, scornfully rejected of course by her artschool intent daughter. Writing this blog is often an excruciatingly slow task which is my just punishment I suppose. So my mini opus is not yet finished…tomorrow I hope

But why Catesby?
It’s sometimes hard to describe exactly what it is in someone’s work that appeals to you but with Catesby it was a mixture of reading about him.. you instantly like this happy, inquisitive and dedicated man, looking at what he achieved and of course the quality of his work. I can respond to his discoveries so directly because in a very small way my time here mirrors his. He came from England to North Carolina, not a million miles from here. I, the newcomer even from roughly the same area in England as Catesby, also stand open mouthed at the birds, the trees and sheer variety of plant life, colour and form. I delight in discovering all the various uses and customs of these plants and trees. I am in awe and some fear of the snake that slithers into the twisted banyan roots. I marvel at the colours of the beautiful big butterflies and size of the huge magnolias, I cannot believe the noise of the frogs. I see it all as a whole experience.

Catesby’s intent I am sure was to try to convey to his eager audience, though his prints and texts, the experience of being here, not with a single specimen study but by combining things together on one page, just as he saw them in nature, interacting with each other and part of something bigger. He has been, and still is, criticised by the joyless ones who misunderstand completely his desire to record just what he saw and who try to judge his work by purely scientific standards.
One bone of contention is, not only his mixing of sometime quite unrelated plants and animals but the discrepancies between their sizes. One extreme example is the wonderful bison scratching against an acacia stump out of which sprouts an enormous flowering branch. So obviously out of proportion that some critics said he had “failed” to make a proper image.

There are some fancy theories about symbolism and iconography etc in his use of disproportionate sizes and combinations of subjects, but, if you read his comments, he had seen the bison and the acacia in the same particular place and wanted to show them together. He observed of the trees,
I never saw seen any of these trees but at one place near the Appalachian mountains where the buffellos had left their dung and some of the trees had their branches pulled down, whereby I conjectured they had been browsing on the leaves.”

His dilemma then would be size, which would be the size of the printed page (i.e. folio, approx 14 x 20 inches), so in order to show both the bison and the acacia in some detail, the flowers have to be bigger. Here the image makes the best possible use of the space on the page and makes a pleasing design too, expressing something of the “buffello’s” character, which he calls an “aweful creature” and the tree. It seems quite logical to me and it should not be forgotten that the prints were to be shown in a book opposite text which would in turn explain more about the images.

Here again there is a huge seaweed which will grow to only 2 ft high in reality. It sits behind the flamingo who would really be a full 5ft high. Audubon was also to have similar problems with flamingos which accounts here for the strange angle of the neck.

He distorted the natural poses of these long necked birds to get them to fit the page format but also to be able to show the detail of the body and featheres too.. Audubon came a good 100 years after Catesby and was very influenced by his work especially by the inclusion of naturalistic habitat details, for which he too was criticised… the joyless ones are everywhere..

I will make one more post about Catesby tomorrow. I really think he is worth it, right now I have much more essay to do.

Leaf of the Day: Assorted Wildlife…Otters, the Kmart Ospreys and the Wailing Limpkins

We went out cycling this morning and to my complete astonishment saw an otter basking on the shores of Lake Rowena near the Orlando Museum of Art. An otter, here in the middle of this big city, only yards from 6 lanes of traffic, unbelievable. It slipped into the lake and swam away too fast for me to photograph.
The otters here are river otters. This is one of many great photos taken by Jessie Dickson of the otters at Viera Wetlands here in Florida.. go and see more all together in one album page here.

This adorable pup is from the Tampa Bay Aquarium where they breed and rescue river otters. more here

Even after a year here I am completely enchanted by the huge variety of wildlife I find in this very urban environment, helped enormously by Orlando’s many lakes, over 2000 in about a twenty mile radius. If I go to the lake here I will see ospreys, ducks, anhingas, moorhens, coots, various herons, terns, grackles, egrets big and small, and platoons of strutting ibis. We live next door to a dreary concrete Mall but the ospreys have a nest on one of the big floodlights in the Kmart car park. It is not advisable to park underneath this light unless you want your car covered with twigs, droppings or bits of rotting fish, tidy housekeepers they are not.

We have a chattering belted kingfisher which every night flies around the apartments. It’s big and very noisy. I see the alligators, turtles and snakes at Leu. Out in the suburbs, where we first stayed, there was a bobcat trotting along a forested scrubland trail at dusk, as well as huge sandhill cranes who barely move as you pass. There are the ever present circling turkey buzzards, hawks, big serious owls and the ponderous wood storks. There are colourful woodpeckers, we saw one of the big red crested pileated woodpeckers today, brilliant red cardinals and sweet little mocking birds. Frogs, toads and more. All this and I am not even looking for wildlife.
A few weeks ago we went to Myakka wildlife reserve and saw, as a well as a bald eagle reliving an osprey of its catch,and the obligatory alligators, the strange little Limpkin. Aramus guarauna. My less than perfect photo does at least show how well camouflaged it is.

It is so called because of its awkward gait and is also known as the Crying bird because of its distinctive call, a piecing wild sounding scream or wail which it makes especially at night. The noise was so disturbing that the early Florida pioneers “mistook the call of the Limpkin for the haunting wails of tortured souls in the night time swamps”. It has also described as,”a hoarse rattling cry like the gasp of person being strangled, like “little boys lost in the swamps forever;” or ” an unearthly shriek” with the “quality of unutterable sadness.” Many tales and legends arose from this eerie sound and in parts of the Amazon they believe that a crescendo of limpkin calls foretells that rising river levels have reached their height.
Its eldritch shriek has also been immortalised in the soundtracks of old Tarzan movies and more recently in Harry Potter. Cornell’s Macaulay Library provided the voice of the Winged Hippogriff, read more here and listen to a great recording of its call made in Florida in 1956 here. I understand it is very annoying to have Limpkins nearby if you are a light sleeper.

Audubon’s Limpkin is wonderfully evocative…I still think he is the best by far.

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This is the Pencil & Leaf sloth of sloth, signifying a day off drawing.

Leaf of the Day: Nature, Creation, Us and the Lipstick Tree again

David Attenborough was on the radio today talking the most sense I have heard recently about nature and our responsibilities to it. He was speaking on the BBC4 Today Programme, (the link is here.) and if you have 5 minutes and care a little about the planet, go and listen to this intelligent and thoughtful man. It is a short interview which starts with his concern about our much loved European frogs who are threatened by some awful fungal disease (more from the Guardian here) but goes on to talk about overpopulation, education and the role of TV in informing, an increasingly insular and care-less population about the importance of keeping a balance in nature.
Here is a short extract:
The UN now tells us now that over 50% of the human race is living in urban circumstances, and that to a greater or lesser degree they are cut off from the natural world…. being cut off from the natural world means that you don’t understand about the natural world and if you don’t understand about the natural world on which you depend, then you’ re in trouble. So it is essential, I think that people should be aware of what goes on in the natural world….. but apart from all that, it’s interesting! it’s beautiful! it’s unpredictable! it’s astonishing! it’s dramatic!

He does not preach, but just talks in a reasonable way about our moral responsibility to a planet that we share with creatures other than just Homo Sapiens. It’s all so unlike some of the screeching I have heard here, coming from the terrifying “creationist” lobby. There has been much in the media recently about all this. Whatever myths or legends people want to personally hold dear, is fine, as long as they harm no one and indoctrinate no one but here some would have creationism taught as fact.


Peter Wenzel’s Adam and Eve, 1780.. a pre fall idyll

I once devoted some considerable time and study to all that allegedly went on in the Garden of Eden. It’s a fine and diverting story, as are the Greek myths. I just cannot hold with any theory or agree with any position which starts from the idea that Man has or should “dominion over Nature”. When this particular creation story was written we were already harnessing and exploiting nature for our own ends so it would hardly have been in anyone’s interests, let alone the avaricious and controlling church, to write a story that gave Nature the starring role.
I personally don’t understand why anyone wants dominion over anything or anyone and regard people who do as highly suspicious, but as for Nature, well we should just consider ourselves lucky that Nature has allowed us to survive so far. You just wonder how much more you can poke a stick at it before it really bites back. Attenborough talks of nature being “badly bruised” by us . I think that is an understatement. It all makes me as mad as …… well …Hell!
But here is Edmund Hicks’ delightfully optimistic, post fall “Peaceable Kingdom” 1834 (one of about 60 versions, triumph of optimism over experience?) to give us hope..

However, thankfully, all back at the garden of Leu is peace and harmony at the moment, apart that is, from the normal life and death struggle of the natural world.
As I said yesterday some things are just coming into blossom at Leu and to my great delight one of them is the Lipstick tree Bixa orellana, one of my very first exciting finds, thanks to Pedro. This fascinating tree is the source of the dye annatto and I had written a little about it and drawn one of the spiky pods way back in April, see “The Lipstick Tree Pod and Fake Bloodhere . I walk past it almost every time I go to the gardens, wondering when it will be in bloom. I was beginning to think it was having a year off but then miraculously yesterday it was covered with flowers. The flowers are big, pale pink, lovely and like a Rose of Sharon, with no hint yet of the rich scarlet dye to come. I have just a tiny sprig with a bud, a flower and a leaf as I don’t want to rob the tree of any potential for the wonderful red and spiky pods to come. I can’t wait. I only saw them when they were past their best and the dye from the seeds was dried up. I am hoping to make some ink! …
Anyway here is a watercolour with a nice rich orangy red background in tribute to annato and delicious red Leicester cheese.
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Lipstick Tree, Leaf and Flower

Leaf of the Day: Bromeliads

Sooner or later I had to tackle this group of plants. From big and beautiful, to tiny and intricate, bromeliads are everywhere in Florida. I could probably devote the rest of my life to drawing them.
There are over 3000 species in the group, and they are as diverse as the strange hanging Spanish moss which drapes itself over just about everything here, to the big bold patterned leaves of the ‘tank’ bromeliads.

This stunning image is one of many from Ecuador Images.net

Bromeliads are mostly epiphytes, ie plants which grow attached to another plant. The word is derived from the Greek, epi (upon) and phyton (plant). These plants do not take their nutrient from the host but use it as a support, using their roots only to anchor themselves, their energy derived from from photosynthesis and their moisture obtained from the air.

The tank bromeliads in particular have an extra food collecting mechanism. At the centre of many of these bromeliads the leaves join together to form watertight ‘tanks’ (properly know as phytotelma) which gather water (up to 20 litres in some larger species) and litter from falling leaves and general forest debris. These neat receptacles absorb the captured rainwater and nutrients from decomposed litter and also form a housing unit for a bizarre community of aquatic and other creatures, such as salamanders, frogs and spiders. The waste products of all these creatures, along with the bodies some of their victims and no doubt the odd drowning fatality decomposes to feed the plant. These bromeliads are not really thought of as carnivorous as they don’t actively seek their prey but, rather, are opportunistic and thrifty, making the very best use of what nature throws their way.
There is however one species which is somewhat more designed to ‘catch’ its food. It lives high up in the rainforest canopy and has specially adapted powdery leaves which reflect the sun’s UV rays making it almost invisible to insects who blunder into the leaves, fall into the strategically positioned tank and are unable to climb out due to a wax coating on the leaf bases.

This very good cross section illustration is from the University of Florida’s site all about bromeliads here . You can see the water trapped in the phytotelma and the little community of wild life, frog, spider and slug.


In Jamaica there is a specially adapted tiny crab (Metopaulias depressus)which has left its low altitude home to live the high life up in the forest canopy in the tanks of the bromleiads, normally Aechmea
paniculigera. Its whole life cycle is conducted there and there is a symbiotic relationship between the plant and crab as the mother crab tidies up its watery leaf home, removing debris therefore improving the oxygen in the water and adding empty snail shells to improve the Ph balance. Quite astonishing.

I am only just beginning to learn about this huge and fascinating family of plants. The leaf I drew today is, I think, from one of the Aechmea bromeliads. They characteristically have spiny edges to their leaves some of which embedded themselves in my fingers.
This leaf is, by bromeliad standards quite modest in its pattern. I am limited to size as I have to paint 8 leaves on one A3 sheet. Some of the more boldly patterned ones are much bigger and will have to wait till later. This will be quite enough of a challenge to paint as it is… you will see the results in about a week. I made some preliminary sketches before the more detailed drawing, just to get the feel of the twist in the leaf which shows off the pattern on the back nicely.
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Bromeliad Leaf

Synchronicity in Sarasota and Fangs & Flippers

Day two in Sarasota and the course is going very well. We are learning so much about colour and the chemical constituents of paint which in the past I have never really got to grips with. Sue is an excellent teacher and sets a cracking pace. I may be able to post a couple of photographs later this week.

Back at the hotel I have my two books ( Jung and Bartram) and Internet access. I tuned into BBC Radio 4 and lo and behold Book of the Week is readings from :
The Brother Gardeners: Botany, Empire and the Birth of Obsession” By Andrea Wulf,
Her book ‘traces the history of the gardening revolution of the 18th century, led by a group of explorers, botanists, collectors, and plant dealers:
Philip Miller, head gardener of the Chelsea Physic Garden and the author of The Gardeners’ Dictionary
Peter Collinson, collector and merchant, who together with American farmer John Bartram ( father of William) brought American plants to England
Carl Linnaeus, the Swedish botanist who classified the natural world and invented a standardized botanical nomenclature
Daniel Solander, who joined Joseph Banks on Captain Cook’s Endeavour.
Joseph Banks, who exchanged his life as a rich gentlemen for that of an explorer, becoming in turn one of the most influential men in Georgian England. ‘

All these wonderful people I have been reading about… How very nice.
Jung coined the word syncronicity to describe what he called “temporally coincident occurrences of acausal events.” ..well it’s certainly a coincidence.

William Bartram illustrated his writings with delightful drawings ..here is one, nature red in fang and flipper. A lotus pod and unfortunate frog from “Travels and other Writings” William Bartram.