Birds and Bees

Black Headed Gulls
Yesterday I went to Perry for an afternoon walk and stopped at the bird hide which overlooks the reservoir looking north. Right in front was a gang of black headed gulls perching on the wooden posts. There was much preening and primping, sleeping and occasionally squawking. Some have their dark brown heads and some are in grey headed winter plumage.They have a very attractive white eye border which gives them lots of character.

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It was calm, very quiet and very peaceful. It’s a good place to make a few sketches with a bench and ID guides.

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Some balance on quite small posts and have to keep shifting their weight.

 

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Some find larger posts and sleep.

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A little Goldeneye swam past too. I have been working some more on the woodcut this week and am thinking how these birds might work as prints.

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Black headed Gull A washy watercolour sketch :

I like this relaxed pose where they tuck their head back. His post is just slightly too small though. :).There was quite a bit of shuffling.

Bumble Bees!

Back in the garden I have seen lots of Bombus terrestris now. I am wondering if they are queens from the rescue colony, because last year they were not so numerous. I would like to think so. They are on the bird cherry, winter honeysuckle, crocus and surprisingly to me on the little violets. I had not seen them on the violets before but it seems they are a good nectar source. This bee spent quite a while on each flower.

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A gorgeous bee on equally gorgeous flower..some nice complementary colours there! It’s great to see them.

Horse Chestnut Twig

A few more sketches for the Horse Chestnut Tree Following project. . I realised yesterday that I would have to get a move on to record its development. I had picked 3 small pieces from one of the big Church Field trees last weekend and already one has, exuberantly, burst into leaf. I kept a couple cool and dark and today made some sketches of them  in their (almost) dormant state.

 

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These lumpy twigs are fascinating and complex to draw.There are the clear sections to the stem separated by heavily ribbed sections and, in this twig, the very top section is slightly thicker than the one below. The characteristic horseshoe leaf scars under the buds have different numbers of “nails”.

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The second twig had a large bud at the top which is just beginning to burst; the dark sticky coating shrinking as the russet scales stretch and split, revealing the palest, prettiest, spring green of the tightly folded leaves inside.

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Watercolour sketch.

It’s a beautiful thing and warrants a larger more detailed painting… so much to do so little time!

The Bone Drawings: Beautiful Labyrinth, Something of the Rabbit, Lucy’s Skull and a Tiny Corset.

I have spent a very happy week drawing bones for Beautiful Beasts. After sketching and printmaking it’s great to sit down for some concentrated observation. I started off with sketches and then looked for some particular aspect of the bone that appealed to me. Here are the drawings. For more explanations and photos etc click on the titles to go to the Beautiful Beasts blog posts.

Under the Skin 2: The Beautiful Labyrinth….

A long bone I found near the reservoir. At one end there is glimpse of the interior structure. That’s what I liked

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A4 Sketchbook: pencil.


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The whole bone: pencil


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Detail of above… the part I liked

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Pencil study of the beautiful labyrinthine structure. I could have gone on for days …
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Under the Skin 3 : Something of the Rabbit about it

A curious thing, I now know to be a rabbit’s jawbone.

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Pencil with a stray piece of dry grass.

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Watercolour study

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Drybrush  watercolour study

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Under the Skin 4 : Lucy’s Skull and the Tiny Corset

The lovely muntjac skull that my friend Lucy gave me.

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A4 Sketchbook

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Watercolour Study

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Gouache study

The Tiny Corset

The last bone. It’s a small upturned skull which was casting a long eloquent shadow, or it’s a tiny corset for a fairy, whichever you prefer.

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Pencil:  4 x 2 inches.
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Footbone note : The reproduction of pencil work has always been problematic. It still is. Scanning tends to reflect the shiny dark pencil and lightens the image. It  becomes a poor thing in relation to its original, with many mid and light tones missing. It’s fine as a record but when I see fine pencil work on the internet I can appreciate just how good the original must be.

Shine and Bloom

Yesterday at my Barnsdale class we looked at some techniques for painting the shine on berries.  The hedgerows have been laden with them this year. Hips and haws, the brilliantly glossy red berries of black bryony and dusty blue sloes. I made a couple of small samples of hips for the class, along with some colour swatches.

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I had picked lots of odds and ends for the class and today I decided to make a study of two sloes before they died.  They are so attractive on their lichen covered twig, with the one little shrivelled fruit  on the far end.

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Sloes on lichen covered twig  watercolour on Arches HP. image 8” x4”

And a few more !

A  small gallery of some more shiny, glossy, sheeny, bloomy, fruity things from the early days of this Pencil and Leaf blog. I
am slowly trying to get a website together and have been sorting out old images. It’s nice to see them again.
They are memories of steamy happy days at Leu Gardens in Orlando.  I would sometimes refuel for the cycle ride home with a few hand picked snacks. A caffeine hit from Yupon Holly leaves, vitamin C from Surinam cherries, and acerolas, delicious loquats and guavas, fresh carambolas and the curiously textured cocoplum.

acerolas  2 red grapesbalsam 2 balsam apple bw balsam pear 1 bay bean colour  buddhashandetc  clerodendron blue seedpod cocoplum2asian eggplant cycadfinal copysurinam cherrycoral beanfin cherry sketch gardenia pod2easter orange finished fruit   loquat mission figs2 mosiac fig fruit  passion fruit persimmon  ramb col  ochna pom smallblackberry 2

And two more recent drawings of the wild plums at Grafham

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Another couple of berries tomorrow.

A Goldfinch Nest Sketch

In between learning more about printmaking, hatching plans and projects and ideas for next year I am getting back to some observed drawing. I have to say that autumn is not my favourite season.
The approaching  restrictions and constrictions of dark and cold just don’t suit me and I hate these darkening nights.

But there are a few compensations, such as wonderful seed pods and fruits, beautiful curling dried leaves and the odd dislodged bird’s nest. Down by the reservoir I found this tiny little nest.
There is nothing much to it really, just a shallow, carefully woven, dish with a downy centre.
It’s made from grasses and sheep’s wool with a little moss here and there…and a tiny feather still attached.
I think it is the remains of a goldfinch nest. It seems an impossibly small and insubstantial family home and as goldfinches apparently build their nests towards the ends of branches it seems even more precarious.

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Two small pen and ink sketches 4”x 2.5”

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Goldfinch Nest Sketch: pencil and watercolour 10 x 5”

The goldfinches are delightful. We see them swoop from teasel to teasel in the late summer.

Summer Sketching at Easton Walled Gardens

Recently I have managed to catch a sunny hour or two to sketch at Easton.

The Gardens are looking particularly lovely there at the moment. I take minimum stuff: sketchbook, board, a paintbrush, paints and water. It’s such a pleasure to just sit in the sun and draw.

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Geraniums

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Allium

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Lupins

I had in the back of my mind that we needed a flyer for our group display of work in the summer so I have combined the sketches, played around with type and Photoshop and added a sketch of the Easton Towers to make the image.

Inspired by Easton;

Our summer display of  artwork from our workshop group. There will be paintings,drawings, prints, 3D work and more. In our meetings the emphasis is on finding inspiration for creative work of all kinds.
It is all about being in a beautiful ever changing place. It’s about the pleasure of working together, of experimenting with new ideas and techniques.
Mostly it is work in progress, sketchbooks, notes and photographs, prints, jottings and drawings all made in response to the Gardens, the architecture and the wild life.
I can’t wait to see what everyone brings on set up day.
That is just 8 weeks away…. and counting….

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Tuesday Walk and the Humming Pollen Tree

The morning is glorious, new corn shoots mist the rolling fields with pale green. There are tiny flitting chattering birds who fly alongside me, white, yellow and multicoloured butterflies, more and more bees, many beeflies and tiny dancing black flies. In one of my favourite secluded sun drenched spots I find a willow, heavy with pollen laden catkins covered with bees and butterflies. I stop for a while to watch.

To watch and listen, to the bees collecting pollen, to an owl in the nearby wood, to see the drifting shape of a buzzard pass overhead, to watch a flame tailed bumble bee collecting moss, to see the delicate long-nosed beeflies hover and dart.

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A pollen drenched honey bee

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A high flying buzzard

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Bombus lapidarius collecting moss

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A Peacock Butterfly

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A little solitary bee at the field edge   It’s a much loved place of mine, on an old road. In its summer flora it reveals odd traces of cultivation and there is a stand of ancient oaks nearby.

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My sketch of the Humming Willow Tree on the old path, with its glowing catkins set against the dark leafless hedges and trees. There are a few hints of green appearing in the nearby hawthorn branches. Watercolour 5 x 7 inches.

I might choose this willow to be my main tree this year. Willows become more and more fascinating the more you learn about them. But today is a day to be out, to forget your troubles, to be warmed by the sun and cooled by a spring breeze. On the way back I passed the place where a big dead tree fell across the path last year. It has now been chopped back leaving a waving stump. From one angle it looks like a cheery waving figure.. Old Man Tree we call it.

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Waving Cheerfully on this lovely day.. Old Man Tree

Crowland Abbey on a Crow-cold Day and some Demons

It’s in the name, the Land of Crows, a conjuring up of a bitterly cold, bleak fenland scene.
That’s exactly how it was a couple of weeks ago when we went to have a look at the church and remains of, what was once, one of the most important monasteries in England.

It’s many many years since I last passed that way and it’s a curious sight, whalebone-like ruins attached to a later church set in flat fenland on what was once an “island”in the marsh. It makes you wonder what form of madness drove Guthlac in 699AD, to find a home there.

He arrived by boat seeking peace and quiet and made his home in the side of an opened, looted barrow. The land stayed soggy and inhospitable for centuries until the reclamation of the Fens.
Guthlac became a revered man and the subject of pilgrimages so I am not sure his life was quite as peaceful as he had hoped… and then there were the demons. Here is a marvellous description of what he encountered:

“The place for his retreat was a solitary and almost inaccessible  island in the Fens of Lincolnshire which was withal most grievously haunted by fiends.
Here he built a hermitage but the fiends were by no means pleased with the company of the holy man and formed a league, offensive and defensive, to expel him from their territories and did every thing that could enter into their demoniacal imaginations to annoy him.”

They bounced through the chinks of his hut and scoffed at him not suffering him to say his prayers for their shouts of rude laughter. Often when he ventured abroad they bodily seized him and plumped him into a neighbouring pool or whisked him through thorns and bushes.
In fact there was scarcely a trick which they did not play on this holy man. One very stormy night when occupied as usual in prayers and vigils, a whole legion of unclean spirits suddenly invaded his cell. They came through the door, through the chinks, through the roof, down the chimney and out of the earth like a dark cloud.  

Saint Felix gives a minute description of these visitors. They had, he says, truculent aspects, terrible forms, big heads, long necks, squalid beards, bat’s ears and flaming eyes, fetid breath and horse’s teeth, shaggy hair, knotted knees, cat’s claws and whisking tails. Fire and smoke issued from grinning mouths and they roared and howled clamorously.” One of several loose translations from Felix’ 8th Century account of Guthlac started in living memory of the hermit. From “Waldie’s Select Circulating Library, Part 2”of 1835

The name Crowland, I read, was originally Croyland but Waldie again tells me that the crows became St Guthlac’s favourite companions. Bringing him food and that…

many other birds were wonderfully familiar with him and even the fish of the surrounding came to his voice”

The Isle Croyland or Crowland has had a tempestuous history,  attacked at various times by Danish raiders, earthquake, fire, Vikings and Oliver Cromwell, but the ruins and Abbey stubbornly remain. It’s part of the Lincolnshire character.
Its fame made it a favourite subject for artists and both Cotman and Turner painted the picturesque ruins.

Croyland Abbey, engraved by B. Howlett published 1797
An engraving after Thomas Girton 1797  from the Tate Gallery.
This is the opposite end of the Abbey from the view I chose.This view is currently shrouded in scaffolding.

I am not always comfortable following in the footsteps of such greats and it was very very cold. We did not stop long but I walked around to try to find an angle that I liked.

The huge remaining arch is impressive and somehow the jostling gravestones looked almost like human forms, lining up to gain entrance to the Abbey, to find some some relief from the bitter wind or perhaps from Guthlac’s terrible tormentors. The sky was dark grey with the threat of sleet.

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Rough sketch note.

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Sketchbook tonal drawing

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In progress

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Crowland with Crows and Jostling Gravestones. watercolour.

The sketch will be for the Lincolnshire Churches Trust art competition. …and still the cold continues. Spring! Where are you??

A Bee for “Nature in Art”: Early Bees love Early Willows

One of my very favourite places, Nature in Art in Gloucestershire has asked artists who have been associated with the Gallery to contribute a postcard for their fundraising efforts.
I am delighted both to be asked and to help, because as one of their Artists in Residence over the last two years, I have spent many, very happy, hours there.

“May 2013 marks the 25th anniversary since Nature in Art opened its doors to the public and to coincide with it we are holding a special fundraising exhibition called ‘Postcard Portraits’ The postcards will be reproduced on a series of specially prepared display panels. A commentary will accompany the panels and the artist of each card identified. The exhibition will be May 7th – June 2nd.
Each card will be allocated a secret number and the numbered tickets will be available for the public to buy for £20 each.”

They hope there will be approximately 300 cards! For my contribution it just had to be a bee. What a surprise. I have not seen one bee yet this year and as I am typing it is snowing again.
But last year, by this time, the bees were out and busy. I remember finding a bumble bee having a rest on a willow twig so I thought, for my card, a sketch of an optimistic early bee would be appropriate. Delicate catkins are springing out all over the willow twigs I brought in. Surely Spring is nearly here?

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My Postcard Portrait for Nature in Art: “Early Bees love Early Willows’
watercolour and pencil. A5

Nature in Art is the world’s first museum dedicated exclusively to fine, decorative and applied art inspired by nature. It has wonderful exhibitions and courses I only wish it was just around the corner! I will be back from 24th to 29th September this year, for another Artist In Residence week. I am so looking forward to it.

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Footnote….hopefully the last one. The offending pin is out ..hurrahh…I guess the injection trauma will fade with time.
The Foot is happier and so am I!

Seven More Feb Sketches & some Good News!

I am putting together a few sample “books’” to show on Sunday at Barnesdale for the Illustrated Garden Workshops. They are a bit rough and ready but more about ideas than anything else. Here are more of of my sketches for the  “What I saw in February”  book. They are also my daily drawing practice. They are fun to do.

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Old chard leaves gives some colour in the snowy garden. Birds are tossed on the sleety cold wind.

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Vincas are flowering by the front door and fieldfares paid us a visit in the snow.

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The wood pigeon pecks about under the birdfeeder, it sometimes rains seed from above and there was a slender waning moon the other night

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And snowdrops, not mine but from Easton last year.. I will be there next week for the first time this year, for the snowdrop celebration and to meet up with the group.  I can’t wait to get started again.

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The full set, 14 pages, and made into a swatch book.

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Good News! Artist in Residence, Grafham Water

It’s always very nice to announce something on an auspicious day and what better day then Valentine’s Day. Starting officially in April, I will be “Artist in Residence” at Grafham Water for a year.
A wonderful chance to do a body of work about this lovely area, hold painting and drawing workshops and get to know much more of the ins and outs of the reservoir and its surroundings. I will be keeping another blog to record progress…and… Ta da!… resurrecting Leaf of the Day”.

I had decorated this paper today as cover paper for one of the books and decided to add a lino cut of 2 willow leaves in celebration and in eager anticipation of more leafy images. I loved doing the Leaf of the Day posts back in 2008. I look back and can’t quite believe I drew and researched so many plants.

This time they will be a variety of techniques as I learn to become a hopefully competent printmaker and instead of the steamy paths of Leu Gardens in Florida, will be a record of cool leafy woodlands of middle England. I may not find anything as exotic as the dancing Telegraph Plant or the Midnight Horror Tree but it will be just as fascinating. So here as a prelude are two leaves of the lovely willows which line the water of the reservoir.

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Willow, #1 Leaf, Grafham 14th Feb 2013   More about the project next week…:)