Bees, Blossom and a Fat Baby Bird.

I am busy working away on some prints and other things but last week I saw the first bees in the Garden for 2015.

9th-Feb-honey-bee-sm

9th Feb: First Bees

I have a small winter honey suckle outside the kitchen door and 4 honey bees were backwards and forwards on a sunny warm afternoon. Huraahhhhh.. It is cause for much rejoicing and worthy of recording.

And then here is the first blossom from our Bird Cherry Trees which I will be making some work about this year. We have been chopping the trees back and I had brought a twig inside to hopefully draw. One week later and it is in bloom. The trees outside are poised…

first-bird-cherry-flower

On Saturday we went into Cambridge and had  look round the fascinating Museum of Archaeology and Anthropology. As well as an excellent small print show (see The Power of Paper), the small museum is stuffed with fascinating and very sketch-able things.

Favourite on Saturday was the exquisite baby bird carving. It does not have a label but is in a case which invites the viewer to make up their own minds about the possible story behind the enigmatic objects it contains. It looks Japanese in its elegant simplicity.

baby-bird

A5 sketchbook, pencil

This gorgeous little carving with its pleasing curves and that big wide baby bird mouth reminded me so much of the baby robins we see in the spring.  It’s the sort of thing you long to pick up and hold in your hand.  There was also something of a winged flying saucer about it and it sparked an old memory of those sherbet flying saucer sweets, from a time when day-glow rice paper and sickly sherbet seemed like a good idea. Hmm.. not much has changed then… Anyway it has all made Spring seem not too far away now !

Winter Colours

Yesterday I had another look at the greens outside and made these 4 colour studies.

winter-green-1bg

4 Winter Greens

These were Ok but I needed more scope because the colours are more complex so I returned to the 9 square format I have used before in making colour trials. These two were done last summer for the Easton show, they represent two poppies.
Easton-wcols-bg

I made quite a few small colour mixing trials….

col2-bg    col3     wcol-1bg

These are from looking out of the window at the Garden. About 7 inches square
and more …..

desk-greens-bg

And one larger piece. It’s really a good excuse for some careful observation and colour mixing and can get rather addictive, but they do take along time. With some thought and experiments with different colours you can achieve some very beautiful subtle effects which don’t really show in the photos. It all depends on what paper, which paint, how much water etc.

winter-colours

Watercolour sample about 11 inches square

And a small one in gouache. I am very fond of working in gouache yet seldom do. More to come I think.

gouache-colbg
7 inches square gouache

There are many beautiful colours out there right now. just take a look, unless of course, you have a blanket of snow…but even then.. blues greys purples etc etc…

First chilly outdoor sketches of 2015.

Log Piles: Ordered disorder In the pale almost warm winter sun I went for a morning cycle/walk. It’s quite a while since I have been so far; up through the wood and along to the spinney where in the summer the dainty little Dexter cattle graze.

Someone has been clearing and chopping and small piles of logs are scattered around. There is something very pleasing about a pile of logs. They are imperfectly neat. An attempt by man to make some sort of order out of twisty natural forms. I stopped to make some very speedy ink sketches.

logs-2     logs3

logs-3

Ink sketches in A5 Sketchbook. My fingers got cold very quickly.

The sketches are .. well, sketchy… but it was just good to be outside, looking at things properly, making a start, seeing wrens, robins, a million blackbirds , pheasants, partridge and many tiny birds dancing about in the brambles, and they are my first outdoor sketches for this year.. a bit of a late start but a start.
The weather forecast for the next few days is awful so it may be a while before I do any more. I am a bit of a fair weather pleinair sketcher:) I was struck by how the woods were full of greens, from the brilliant acid green of moss and lichen to the blue greens of old leaves and the oak tree bark, to the soft olive greens and brown greens of general undergrowth. I’m going to investigate these some more tomorrow …

Many Moons

I am just 3 weeks into the MA course and I am working in a great big mess of ideas, thoughts and experiments. “Process and Practice as Research” is what it’s all about this term.
Part of what I hope to achieve through following this course is the ability to actually-get-something-finished before spaghetti brain here drifts away to something more enticing.
This current project may not help with that aim directly but it does give me the chance to develop an idea by really examining ( *A.B.  “interrogating” see footnote* ) it over and over again until something emerges, which might be a long way from where I started. But what to do?
Phases of the Moon
Sometimes, luckily, ideas just present themselves. On the 7th October, one week after the start of the course I happened to go out into the garden. It was about 8.30pm and hanging in the sky, just overhead was a fabulous moon. It was big, bright and very beautiful.
 
Grafham moon 7th oct 2014 desat
7th Oct moon, Grafham back garden. hand held Nikon

I took a hand held photo with Chris’ fairly modest Nikon and was astonished by the result. With the contrast bumped up in Photoshop it shows craters, the exquisite “rays”, and the dark “seas” figuring either a rabbit or a face or whatever your belief system might suggest. And that was it really, project decision made. My first terms work would be looking at The Depiction of the Phases of the Moon.
At the time I knew absolutely nothing about the moon, now nearly three weeks on I know much, much, more. What  I know, in particular, is that it is a huge subject and presents a gigantic number of research avenues.
Here are a few I’m considering; science, myth, discovery, emotional and psychological connotations, photographs, educational and instructional images,  associated words and meanings; moon planting, science fiction and geological structure.
Each of these could be a rich source of imagery and possibility.
Where to start?
JFDI: Advice I often give my students and sometimes take myself is the very best advice for procrastinators like me and as the course is “Book arts and Illustration” and I am interested in exploring book forms, I made lots … and lots.. of small maquettes, from map folds, squash books, concertinas, crown books, round books, fans, origami folds and more.  A day of nice therapy playing with paper.

book-forms

They are scrappy little things but so full of possibilities and ideas. Each could be taken and developed in many ways.
My notebooks are full of ideas, so far I have 18 pages like this:

skb1
skb2

I am making watercolours like this:

  w-col

I have started making some unexpectedly lovely prints:

 more trials

and am thinking about 3D possibilities and the wonderfully evocative words connected with the moon; waxing, waning, gibbous, crescent etc. And there is much more going on. It’s a big messy muddle of stuff and I am that pig in muck.. 🙂
At some point I do have to collate all this research into a coherent project report..(Yeah.. good luck with that Val..) so may be able to present it here in a neat concise form later in the year. Meanwhile it will be just sporadic and jumbled posts like this.
By the way, big thanks to all of your who sent me such lovely supportive messages and emails, encouraging me to keep blogging this stuff! I hope you are not regretting it.
* One down side of doing an MA is the necessity to return to Art Speak.. more affectionately known as Art Bollocks. The internet, provider of all things wonderful has a neat site where the struggling fine artist can generate their very own . See: http://www.artybollocks.com/  Hmmm…might prove to be very handy. Me, I just like to stick to that plain old motto: “eschew obfuscation, espouse elucidation”.

Moths…and an M.A.

The last few weeks have been extra, extra busy.. with another excellent sun drenched trip to Amsterdam, our last Easton meeting for this year and the consequences of my decision return to study. Study ?…Yes! I need more.
Learning stuff is, without doubt, my drug of choice. It can be almost anything and I am never happier than when deeply immersed in reading, research and visual experimentation.
Over the last few years I have been on just a maintenance dose, a bit of a drip feed of new ideas and practice. But earlier in the summer I decided to give in and go for the full shot.
So I am studying for an M.A. in Book Arts and Illustration at Anglia Ruskin University, just for the sheer delightful delight of doing it.
My art practice is going to get a good shake out and possibly a good kicking. Just two weeks in now and the brain is beginning to crank into life again.  “Go brain!”…. I will post something of my progress as things develop.

_________________________________________________________

 

Moths and the blogging dilemma
Printmaking will play a central role in my study and the printmaking experiments are continuing, so with the set of Fenland images in mind  I’ve been posting intermittently about some experimental Moth prints over on Beautiful Beasts.

To blog or not to blog? Blogging about things often presents me with a dilemma. Recently I have been experimenting and reading, so the images, such as they are, are not that special and I am often reluctant to post experiments lest the casual viewer, who has not read the text, thinks that:- a:They are finished images (unlikely) or, b: That I love the images and am super proud of them.(even less likely)

At the moment it’s not so much the images as the experiments that I’m interested in. Some images are just marks on paper or cut shapes which don’t make for good blogging, but to get back into sharing my thoughts which I have to do over the next two years and to also plug the yawning gap in the blog, here are a few stages of the moth trials…..

Although not part of the M.A. directly, I have been looking at Fenland moths in connection with Willow trees and started off with a few sketches of general moth shapes..an amazing variety I find! These are locally recorded moths so encompass the Great Fen area as well as our small hilly plateau.

manymoths_thumb1

Many Moths …pencil on A4 sketchbook. and a couple of colour note sketches….

2moths_thumb1

Some pattern sketches

mothpatternsbg_thumb6 patterns2bg_thumb2

And more drawing development:

mothsbwbg_thumb1 mothsbw2bg_thumb1

And a couple of plates, cut and proofed once:

mothprint1_thumb1

Plate One and proofs.

moth2ndplate2_thumb1

Plate Two

moth2platebg_thumb1

Plate Two proof

plates2_thumb2

I cut a mask for the first plate, but unfortunately I can’t remember why…I guess it will come back to me or something else will suggest itself along the way.

The intention is to combine the plates with other images or just with each other and see what happens. “Play”, “Serendipity”  and “Chaos” are going to be my constant companions over the next couple of years… :)…It’s the endless possibilities that are so thrilling.. More exciting moth images to come.

Blogbreak, Back to Basics and Dog Days…

My blog break has gone on a little longer than expected. So much to do, so many days spent in the garden, out walking by the water, being both on and off my bike. Being occasionally in, but mostly out of my workroom and away from the computer.

But I can never really switch off that nagging little work horse conscience and I have been going back to some basic colour work in preparation for some winter projects. My desk has looked a bit like this for the last week or two:

desk I

t’s excellent to do some very concentrated colour work, exploring new mixes and trying different papers.

Also up and coming is our group exhibition at Easton Walled Gardens in a couple of weeks time. We are putting together two large collaborative panels of 48 different images which will be fascinating to see when finally put together.
We have been working on themes of Easton, architecture, flowers, trees, fruit veg… etc etc. I made one preliminary sketch of one of the elegant, but to me, rather mysterious, towers in the orchard across the river. This is the Apple Store glimpsed through the Yew walk. I included Spot ( Easton’s resident spaniel) just in the frame at the bottom and three loose apples.

spot-and-apple-store-bg

Spot and the Apple Store, ink and wash sketch A4

Easton Dog Days Coincidentally, dogs are not usually allowed at Easton, but in August, Sundays 4-6 pm, well behaved and socialised dogs are welcome for an evening stroll. See WHAT’S ON at Easton Walled Gardens which also includes our exhibition!!

Back to the blog more regularly very soon….when the sloth of sloth has left 🙂

hot-sloth

The Blue Hedgehog

On Saturday we went to the Fitzwilliam Museum in Cambridge. It is so many years since I was last there and I had forgotten how rich and wide ranging is the scope of the museum.
I found many more wonderful beasts from all over the world, but the best of all was the small blue Egyptian hedgehog.
We do love our hedgehogs but I had no idea that the Egyptians revered them as symbols of regeneration. In the subdued lighting of the gallery the hedgehog has a certain mystery. The museum’s record, brightly lit and with its measuring scale and all the chips so evident is not quite so magical.


Fitzwilliam Museum photo Faience hedgehog
Tomb 655 Beni Hasan Egypt
length 6.25 cm
width 3.75 cm
Twelfth Dynasty
Middle Kingdom
Date 1976 B.C. — 1793 B.C.

After a bit of research I found quite a few other  Egyptian Hedgehogs. Most surprising is the real and long eared Middle Eastern hedgehog.

Berkah.13.Kookherd_كوخرد

This little chap is from Iran: photo Berkah.13.Kookherd from Wikipedia

A quick internet search shows that some ancient hedgehog figures do have long ears.
This little faience amulet is from the Pelizaeus Museum  Hildesheim.

4885

from the Global Egyptian Museum

My initial sketch of the short eared Fitzwilliam Hedgehog more as I saw it, in the tomb like low light of the museum display.

fitz-hedgehog-bg

Then some sketches :

h-sketches-2h-sketches-1

And then a quick reduction print:

H-hogs-

The Blue Hedgehog

blue-h1-bg

The little blue hedgehog on a windy moonlit evening with swaying palms.
Reduction Lino image 6 x4 inches

Beginning a Puppet.Some Initial Thoughts.

The end of June is the deadline for Clive Hicks Jenkins’ and Peter Slight’s Online Puppet Challenge.
I really wanted to contribute to this so have been mulling it over for a while now. How? Why? What? The theme was “Myths and Legends” and I have chosen the legend of the Henham Dragon ( see my original post here)

I don’t have much time but enough to get some ideas down on paper, even if few of them actually get made and  just researching another art form is a delight. 2D or 3D? Because I am really a 2D artist I am starting with a simple articulated paper puppet.

Clive makes beautiful articulated maquettes which he uses for his own work. These forms can be arranged in different positions and so acquire a curiously appealing life of their own. They are not quite the same as shadow puppets but have the same feel about them.
Shadow puppets from Turkey, India and China are sometimes painted on treated hide which makes the skins transparent, allowing the colours to glow when lit.   See an article on the Karagoz puppet tradition in Turkey here.

 

karagoz5340

Image by Tom Brosnahan who wrote the article. His website “Turkey Travel Planner” is one I will be returning to as we plan to get to Turkey next year.
I am not sure yet what exactly I will do but this is one of the forms I will be exploring.

 

Pinocchio
The whole subject of puppets is fascinating and if I were to consider 3D I could look at the traditional marionette. I have never made one,  but have  using puppets as inspiration in my work a few times. I also made sample drawings for a version of Pinocchio many years ago.

on-bench-bg

Rough for Geppetto’s  workshop. pencil drawing.

pinnochio-bg

Pinocchio and Jiminy. Watercolour

For my research I had visited The Little Angel Theatre in Islington and taken a few photos. Yesterday on a rainy Bank Holiday Monday I found them again. It was all long before computers and digital photography and most interesting is the photo of the “inspiration” wall, a collection of magazine clippings, cards and real photos.

LA2-bg     LA1-bg

 

LA3-bg

Photos from the Little Angel Theatre..more years ago than I care to remember. 

It’s all so inspiring…. I am now wondering about a 3D Dragon.

Coot and Willow Print

I’m still working on the lovely cootses and as it’s a while since I did any lino work I made a quick trial reduction print to work out some ideas. It’s an image I want to develop along with some others. I like these neat birds.

c-sketches-bg       coot-6-bg     coot-roughs-bg

I did a few initial drawings and tonal sketches for what will be a 3 colour reduction.

coot-lino

Various first stages and the lino block

coot-prints-1

Some final stages with various different colourways. I like the image, but the printing needs work :).

Maybe one really good one out of 6.

coot-pt-bg

Coot and Willow..  image 6 x6 inches

I see the coot pottering about on the shoreline here, in and out of the willows. There is always a fisherman somewhere.

The coot is large, the willow tree is small. That’s just how I wanted it.

Conker Seedlings

When I joined Lucy’s Tree Following Project in February I rather wished I had known in advance because I would have planted some conkers. In a hopeful moment I went to look under the tree by the roadside and found some unprepossessing blackened conkers in the undergrowth, brought them home and stuck them in a pot. Out came sprouts and now they have grown into good little seedlings.

3-seedlings

I though it would be interesting to draw the development so put another one in some vermiculite. That too sprouted, but so quickly that I missed the early stages of growth.

chestnut-seedling

Today, outside in the sun and showers I sketched it. Two small compound leaves rise up from a split in the snaky root which has developed rootlets. Then a shower caught the ink.

showery-sketch

Chestnut seedlings sketches and old conkers: A4 pen, ink and rain.

A small  watercolour sketch stayed dry. Shame…a shower might just have improved it.

shootbg

The optimistic new Horse Chestnut Tree

I am almost packed. We are off to Amsterdam…Hurrah….