Fairy Money, Snake Stones, Devil’s Fingers…and Bertie.

I am continuing my explorations of the fossils that can be found here at Grafham. So far I have found Gryphaea, Belemnites, bits of Ammonites but as yet no sections of Crinoid stems. They are a common find but I need to take some more time to look as they are tiny..but unexpectedly very beautiful. Some are simple and circular in sections and some are star shaped.

Photograph from the British Geological Survey website.
If you are lucky enough to find a more complete fossil it would be rather like this.

Fossil Folklore

Crinoids
In folklore these beautiful slender columns were thought to have stretched from earth up into the heavens, occurring at times of storms and were known individually as star stones. The simple discs with a handy central hole were thought to be fairy money or “St Cuthbert’s Beads

from http://www.jsjgeology.net/Ausich-talk.htm

Ammonites
Ammonites are particularly interesting with their beautifully coiled shape. It’s not surprising that they were known as snake stones.
But I am fond of snakes so was dismayed to discover that they were thought to be the remains of snakes, cursed and turned to stone by St Hilda.
And then to add insult to injury they were subject to a beheading curse by St Cuthbert. All this to account for these curious curled and apparently headless things found in abundance near Whitby.
I have written about this snaky connotations over at Printdaily. See Ammonite:The Curious Snake Stone.

Ammonites occurring in architectural stone are quite common but it is thought that this ammonite imprinted stone was specially selected for the entrance to Stony Littleton’s Neolithic Chambered Long Barrow.

From Chris Collyer’s completely fascinating Stone Circles UK website.

Belemnites I wrote about my splendid Belemnite find in my last post  and as with the Devils Toenails these bullet shaped things had devillish associations, being known as Devil’s fingers or Thunderbolts occurring after thunderstorms. It’s interesting that many of the legends relate to storm activity, I guess heavy rains would have revealed the fossils leading to an understandable connection.

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It’s all very inspiring for an artist (especially one with leaning towards the dark side) but for the meanwhile here are a couple more of my simple fossil inspired experiments for this week’s Beautiful Beasts work.
Ammonite

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Roughs and the block

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Lino 4 x 6 overprinted with fronds

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With added type.. For more info see Printdaily

Belemnite I had made three different possible background plates, fronds, wavy lines and a circle and then the lino was a 2 colour reduction.

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Frond background and first printing.

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Circle background, first lino print was rotated and reprinted. Then second colour added.

Chris said “what are you calling it?” “Bertie the Belemnite.” I said.

Oh dear, it just slipped out. I am supposed to be a serious artist but I guess it will stick, as these things have a tendency to do. And one last print.

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With wavy background and two colours. I will post more of the process  on Printdaily soon.

And to end, a glorious bunch of Berties on the Bench.

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Well, its been that sort of day … more fossils next week…

More about the Fossils..

I have been lost in fossil land for the last few days and it is completely fascinating. I returned to the shoreline and have come back with some more treasures; some fragments of what I think might be Ammonites,  a few pieces of Belemnites, more Devil’s Toenails and some bits of what might be coral.

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I have one really beautiful section of a belemnite, see above, the large pointed piece, which I think is a Cylindrotheutis puzosiana. It is the fossilised internal end bit of one of these:

which was once one of these:

Both of these images come from this fascinating piece about Belemnites from Ferrebeekepeers

Like the Gryphaea, the Belemnite fossils were also thought to have various different origins and properties. The strange smooth shape gave rise to names such as Devil’s Fingers (more delightful devilishness), sword stones and gnomes candles but most wonderfully, they were thought to be thunderbolts, arriving after thunderstorms.
Both Gryphaea and Belemnites were thought to have healing properties, for joints and oddly for sore eyes… more folklore to come. The reason we have these fossils is because of the Oxford Clay which lies under the Boulder Clay.

Palaeontologist and Palaeoartist (very cool)  Mark Whitton has a couple of excellent blog posts about the Jurassic Oxford Clays here. This image from his blog shows the extent of these treasure filled clays.

The extent of the Oxford Clays.

Talking to local people there are fewer fossils here than there used to be as the banks have been shored up with boulders to stop the erosion, but there must still be quite a few and I have only cast a very untutored glance over the shoreline.  I am trying not to let this get obsessive but I can see how you might get the fossil hunting bug. On the creative front I did get some printing done. This is the result. You can see how I got there at Printdaily:

Gelatine and Lino Print Combo.

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Devil’s Toenail. 4 x4 inches.

A Lucky White Hart for 2014

Here’s to a New Creative Year of prints, drawings, paintings, books, 3D and more.. Four particularly lovely things to look forward to:

  • This month I start contributing to Beautiful Beasts, an art blog shared with my friend Sue.
  • I will be developing ideas for the Dragon Puppet.
  • More printmaking will be happening over at PrintDaily
  • And I am getting ideas, research and sketches together for an Indian inspired piece.

Four particularly lovely things from the past few days:

  • Seeing the truly inspiring Shunga Exhibition at the British Museum (which is, without a doubt, my favourite place). Sex and superb printmaking is a heady mix.
  • Dining delightfully on delicious Dim Sum in Chinatown.
  • Watching Small Town Murder Songs with the extraordinarily sublime soundtrack from Bruce Peninsula.
  • Watching Lucinda Williams performing Joy from quite a few years ago..sheer Joy.

And as it’s a time for resolutions I have a few art related ones; to get back to sketching, to get out to more different locations to sketch, to get the oils out and, finally, this year, to get a long overdue website up. I did make a start today. It is going to be a busy year..

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White Hart: reduction lino print with gilded leaves.

see printdaily

A sighting of a White Hart was considered a good omen by some.

Let it be so!
A Happy New Year to All!

Pink Pig, Yellow Pig

I have made a few lino print cards (strictly speaking “vinyl” prints) based on my Pig in Jacket sketch. Progress was slow and success rate rather low due to being a bit ambitious and trying a 3, 4 and 5 colour reduction print with a very small block. Each new colour printing is accompanied by yet another possibility for error. There were many. But I have about 20 cards. I recorded the process over at Printdaily. They are small. The image is 3 inches square.

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Four Colour reduction print Pink Pig. Image 3 inches square

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Three Colour Sunny Pig with three different plates.
The blue here is what was left of the reduction plate.

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A few cards almost ready to go..

Pig in Jacket and the Consequences of Fire

Over at Printdaily this week my printing adventures have involved etching. Yesterday I spent the day going through the process, at a bit of a gallop, from start to finish. The whole process is faffy and time consuming and I had dithered about an image but, eventually with Chris’ Salute The Pig Project in mind I made a scribble based on my sadly lost, but not forgotten, Pig in Jacket.

Etching plate and Print of Pig.. you can read about the lengthy process over at Printdaily here.

Pig in Jacket” was one of the small treasures that I kept when we made the big move over ten years ago. He was a small, I think about 4 inches high, white porcelain figure. I cannot remember when or where I got him. He had been with me for many years. Today I went back to the photo I found and made some sketches.

Lost Treasure 1. Pig in Jacket

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 The Consequences of Fire

Just over three years ago, on the day I set up my “Buzz”show in London. I received an email telling me that everything I had in the world, apart from the suitcase of things I had taken to the USA, had been lost in a “ catastrophic” fire in Spain.

I had taken a small storage unit, not much bigger than a walk in wardrobe, in a new steel, self storage facility, just to keep the special things in my life safe. It seems so ironic now.
I lost all my paintings and drawings, all my sketchbooks, beautiful old watercolour papers, my stash of now unobtainable professional scraperboard, my fine tools and brushes, gilding equipment, precious pigments, paints, the very special selected books I had kept, all my personal treasures, small pieces of jewellery, hangings and silks from India that my grandmother had brought back in the 1920’s.

My teddy, my old toy dog, my tiny old lead farm animals, my desk, my easel, my book press and countless other small but irreplaceable things which I had tried to keep safe. But the state of the art storage unit protected with alarms, sprinklers, cameras etc  had gone up in flames. It was Spain, at its worst.

Probably arson, possibly an electrical fault. Who knows, and not worth wading through the corruption and concealment to find out. What is gone is gone. I have not mentioned the fire before because I loathe “pity me” blogs and the very best thing to do in these circumstances is to shake yourself down, be thankful for small mercies and get on with life.

Anyway amongst the losses was this pig. Oddly enough I had taken a few snaps of my favourite small things just before I left as I had planned some drawings and the photographs were on my laptop. It’s been in my mind lately to have another look at them, now things are not quite so raw, and Pig in Jacket fits in so well with what I am up to now.

A Previous Incarnation of Pig

It’s not the first time I have used Pig in my work.  Some 23 years ago he appeared in my Devil’s Alphabet, which I am about to reprint. Pig here is rejecting the drunken advances of the Devil.

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The Devil with Pig… A tiny scraperboard drawing. .. and I think there will be a lino cut too.. He was a nice Pig!

A Slightly Improved Pig

I am thinking that a-print-a-day on this blog might be very tedious for my kind readers and this blog tends to be a mishmash of many things so I have decided to corral all the print progress pics into a different blog.
I will put any new developments here too but I think 20 different versions of one print could be too much. It’s just interesting for me to chart the progress.
But if you would like to see what is happening go to PRINTDAILY. There is a link in the side bar too. This was a better print today using oil based inks for the final black.

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Enthusiastic Pig with Acorns… 8” x 6”

Printmaking: Starting properly… with some pigs.

I am a very new printmaker. Yes I did a bit at college many years ago and some odds and ends since which I really enjoyed, but there is a lot to learn about paper, inks surfaces, tools and different combinations of all those things together.

My first attempts here have been mixed usually due to rushing things so I am going to try to get stuck in this winter and really learn.. from basics up.
My very good friend Den over at Animal Art Blog pointed me to a group who have been posting prints throughout October on Twitter see (#printoctober.) There is some great work there. It’s a bit late for me to contribute but, duly inspired, I have rashly decided to try to print something every day for a while and blog/tweet it. #printdaily

I had an interesting visit to the printmakers shop Intaglio on Saturday. I have to say that I feel very inadequate in these specialist shops. Other customers all seem supremely confident and knowledgeable, ask loudly for obscure things or are on first name terms with the staff.

I sometimes feel an imposter..but hey.. you have to start somewhere.
I came out with new inks and many unasked questions 🙂 Anyway continuing the the pig theme, I have been working on a small print with Chris’ Salute the Pig blog in mind and it may well fit into a new book/print project which is taking shape.
I’m not concerned about making the perfect print, it’s all about experiment at the moment and a chance  to try different papers and inks and combinations of plates. Some first prints..lots more to follow…

The prints are about 8”x 6” some hand printed, some put though the press, different papers etc etc .

Easton Show, A Sideways Step into Print and a Big Blue Bee

I have said before, if the blog is quiet it’s because my life is not. How true. Just two weeks before our Easton Group Show and I am looking at the pile of “stuff”, sketches, prints, half started paintings. etc. What to do with all this?

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I have regarded this year as one of experimentation, I have researched, studied, thought and made many, many sketches and notes, more than I could ever put on the blog.
It’s been a year to meet other artists and share ideas and to explore some new directions.  It has been illuminating.

So for me the Easton Show will be a sort of marker, the end of one phase and the beginning of the next. With a very exciting solo show at Easton arranged for a years time, it’s on with forward planning and a few changes in what I do and how I work.

Letterpress, Print and Books

Number one on my list will be my delayed side step into printmaking.
I now have my lovely small Rollaco Press, my big old Cropper Charlton nipping press and a little old Adana housed in the garage and we are ready to go.

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Rollaco Press with bee

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The big old nipping press with my much prized Boxcar Press apron.

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Adana poised and ready….

I had been exploring letterpress again when I was in Orlando with the very excellent guys at Mamas Sauce whose enthusiasm and dedication to all things printy was so inspiring.

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Mamas Sauce Printshop in Orlando

Although we are not there anymore I still keep up with what they are doing. See their site for some wonderful printmaking, links and videos. There will be planned returns to St Brides in London where I printed “Rook” …

 

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St Brides Foundation London Print Museum and Courses.

And a hopeful trip to the USA to the fabulous Hamilton Wood Type and Printing Museum next year.

There will be making small books, inspirational prints and maybe a ranting broadside or two. So adventures with lino and the press started just this week with a very simple bee! (what else).
The huge new queen Bombus terrestris are out and about. They were my inspiration and  I may call her the “Easton Bee” in tribute!

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Many bees

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And in other colours too!

Big Blue Bee for Easton

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Image 6×4”reduction print on Hosho paper.

I really do intend ( Yes ..I do know all about hells road..but a girl has to try)  to get back to the blog with a perhaps a bit of a printy make over for that too.

I hope you will join me.

Drawing Bees

“I wish to speak of the bees very simply, as one speaks of a subject one knows and loves, to those who know it not. .”
from “The Life of the Bee” by Maurice Maeterlinck.

These small paintings that you will see over the next few weeks will be the result of hours and hours of looking, reading, research and much changing of mind. The quite modest finished thing is truly the tip of a huge iceberg.
I don’t make life easy for myself either, as I seem to be incapable of just copying a photograph, even my own. I need to know about my subject.
Over and above the biological structures and, just as a portrait painter may wish to know the character of the the sitter, I want to know about the character of my bees. .. so I read and look.

I read the scientific descriptions, the lists of body parts with names I will never remember, and I read the poetic and I read the myth, the human responses and the memories.
So in the posts I will try to add some fact and fiction as I go. It will also help me to remember. Some studies will be more successful than others.
In all my time painting and drawing I know one sure fact; you definitely cannot please all the people.

Now I just try to have an aim for myself, try to stick to it and then move on. I am not inclined to be too scientific, so the paintings will my interpretation of the bees, what I see, what I know and what I feel. I am sure there will be some inaccuracies, but that is OK with me.

Representing the Bee I like to look at the possibilities of how bees might be represented. I love the graphic quality of these bumble bee identification charts from the Natural History Museum site, see here.

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and another bumble bee set, computer generated from the Xerces Society here

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I look at beautiful antique steel engraved prints and old natural history prints;
From the British Library’s Victorian Book Illustration site here ‘Common humble bee’, from The Naturalist’s Library, vol. 38 Entomology, edited by William Jardine


the common humble bee Jardine

From Glasgow Library here : Moses Harris: An exposition of English insects …
minutely described, arranged, and named, according to the Linnaean system 
London: 1782

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I look at the fabulous work of one of my favourite illustrators, E J Detmold who illustrated “The Life of the Bee” by Maurice Maeterlinck.

Here is his ferocious Queen Bee. He is able to convey character along with technical accuracy. His originals are stunning small watercolours.

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Another insect drawing hero of mine is the incomparable Walter Linsenmaier. I have just found a copy of his “Insects of the World”, a 1972 book which, years ago, I used to commandeer from the local Library whenever I needed insect reference.
If I had seen it when I was drawing the blue wasp I would have had no problem with identification.

Here a little digger bee laden with pollen returns to the nest leaving its tell tale trail behind. Below it some pollen collecting mechanisms. Again, he is so much more than purely a scientifically accurate painter.
His insects are alive with character and mystery, while explaining simply and stylishly just how insects work and live.

linsenmaier bee

I am looking at many other, contemporary, artists too, but am particularly impressed by Jesse Huebing-Reitinger’s massive paintings for the fascinating Project Insect here.

They are quite extraordinary. She works from pinned specimens, with a microscope to create these huge images.

This orchid bee is 7.5ft square. Fabulous. Makes me want to run out and buy a big canvas

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“Harley” the orchid bee

Here she is painting a huge dragonfly.

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Read more about her and the art work for Project Insect here.

My small studies are only 3.5 x 3.5 inches square!