Spotty Dotty and Girlie

As part of our quest to find happy pigs we recently visited Sylvia and John’s  Garden Farm at Old Weston.
Sylvia introduced us to her two sows, Girlie the bright little Berkshire and Dotty the Gloucester Old Spot.They are delightful.

Gloucester Old Spots and Berkshires are Chris’ next pigs for Salute the Pig. It was very very muddy .. as it is everywhere at the moment but pigs are happy in mud:).

dotty-bg

Spotty Dotty with her long lop ears which cover her eyes.

girlie-bg-

Girlie the bright and sparky little Berkshire. A4 sketchbook.~

Sylvia was telling us that she was a handful to move and in one pig book the young Berkshires are described as “naughty”.
Both of the pigs have quite luxurious hair. Perhaps Dotty’s hair was slightly silkier. They feel wonderful.  I also worked some more on the acetate printing plate and made some darker prints, with some interesting results.

dotty-b

Dotty: etching 6 x 4 inches

I am impressed by the sensitivity of the thin plastic. I am sure the number of prints is limited. I am going to show the various stages over at Print Daily. So far the things I love about pigs are their ears, their noses and their bright eyes.  T

he sketches are so useful for understanding how pigs are put together. I did exactly the same when I started drawing bees. These initial studies pay off many fold and they are a pleasure to do.
I am discovering that pigs are all very different. face shapes, ears, coats, body shapes etc. I hope to return to Garden Farm. They have lovely chickens too and in due course there will be piglets!

“A Certain Sleepy Perfection of Contour”

What can this be?.. Why, a pig of course!

“To begin with, pigs are very beautiful animals.  Those who think otherwise are those who do not look at anything with their own eyes, but only through other people’s eyeglasses.  The actual lines of a pig (I mean of a really fat pig) are among the loveliest and most luxuriant in nature; the pig has the same great curves, swift and yet heavy, which we see in the rushing water or in rolling cloud. “ GK Chesterton liked pigs.. this is from “Rhapsody on a Pig” published in the The Illustrated London News, 8 May 1909.

I think it would be fair to say that G K Chesterton himself had some of those very same luxuriant contours.
And he is so right about the pigs. Those gorgeous soft curves and that wonderful spread of weight as they lie down….

Sleeping pigs…well, most of them.

pigs1-bg

pigs2-bg

pigs3-bg

Pencil on A4 sketchbook It’s pig week for me over at Beautiful Beasts.

Pink Pig, Yellow Pig

I have made a few lino print cards (strictly speaking “vinyl” prints) based on my Pig in Jacket sketch. Progress was slow and success rate rather low due to being a bit ambitious and trying a 3, 4 and 5 colour reduction print with a very small block. Each new colour printing is accompanied by yet another possibility for error. There were many. But I have about 20 cards. I recorded the process over at Printdaily. They are small. The image is 3 inches square.

bg pig 3

Four Colour reduction print Pink Pig. Image 3 inches square

bg yellow pig

Three Colour Sunny Pig with three different plates.
The blue here is what was left of the reduction plate.

image

A few cards almost ready to go..

Pig in Jacket and the Consequences of Fire

Over at Printdaily this week my printing adventures have involved etching. Yesterday I spent the day going through the process, at a bit of a gallop, from start to finish. The whole process is faffy and time consuming and I had dithered about an image but, eventually with Chris’ Salute The Pig Project in mind I made a scribble based on my sadly lost, but not forgotten, Pig in Jacket.

Etching plate and Print of Pig.. you can read about the lengthy process over at Printdaily here.

Pig in Jacket” was one of the small treasures that I kept when we made the big move over ten years ago. He was a small, I think about 4 inches high, white porcelain figure. I cannot remember when or where I got him. He had been with me for many years. Today I went back to the photo I found and made some sketches.

Lost Treasure 1. Pig in Jacket

image

 The Consequences of Fire

Just over three years ago, on the day I set up my “Buzz”show in London. I received an email telling me that everything I had in the world, apart from the suitcase of things I had taken to the USA, had been lost in a “ catastrophic” fire in Spain.

I had taken a small storage unit, not much bigger than a walk in wardrobe, in a new steel, self storage facility, just to keep the special things in my life safe. It seems so ironic now.
I lost all my paintings and drawings, all my sketchbooks, beautiful old watercolour papers, my stash of now unobtainable professional scraperboard, my fine tools and brushes, gilding equipment, precious pigments, paints, the very special selected books I had kept, all my personal treasures, small pieces of jewellery, hangings and silks from India that my grandmother had brought back in the 1920’s.

My teddy, my old toy dog, my tiny old lead farm animals, my desk, my easel, my book press and countless other small but irreplaceable things which I had tried to keep safe. But the state of the art storage unit protected with alarms, sprinklers, cameras etc  had gone up in flames. It was Spain, at its worst.

Probably arson, possibly an electrical fault. Who knows, and not worth wading through the corruption and concealment to find out. What is gone is gone. I have not mentioned the fire before because I loathe “pity me” blogs and the very best thing to do in these circumstances is to shake yourself down, be thankful for small mercies and get on with life.

Anyway amongst the losses was this pig. Oddly enough I had taken a few snaps of my favourite small things just before I left as I had planned some drawings and the photographs were on my laptop. It’s been in my mind lately to have another look at them, now things are not quite so raw, and Pig in Jacket fits in so well with what I am up to now.

A Previous Incarnation of Pig

It’s not the first time I have used Pig in my work.  Some 23 years ago he appeared in my Devil’s Alphabet, which I am about to reprint. Pig here is rejecting the drunken advances of the Devil.

image
The Devil with Pig… A tiny scraperboard drawing. .. and I think there will be a lino cut too.. He was a nice Pig!

A Gorgeous Ginger Pig: A Duroc Boar

Some initial sketches of the extremely handsome Duroc Boar that we met on Saturday at Burwash Manor near Cambridge. (See also Chris’ post They Do Rock.)

We had gone to buy some interesting food from their very well stocked delicatessen ‘The Larder’  and to have a walk. This fabulous ginger boar had just been rounded up after escaping… and not for the first time it seems. He is big, lean, strong and has the most beautifully shaped head.
His coat is shades of russet, orange, blue black and ochre. These lovely pigs have pricked ears that flop over at the ends. He reminded me of a huge terrier and with their wiry ginger black and tan coats there is something very dog like about them. He was being placated with buckets of apples.
The girls who had rounded him up said he was a nice chap…”just boisterous”. I must find out what his name is. Their faces are dished and their big heads have a high crown. Their jaw line is deep and their snouts are long.

image

image

Burwash Manor’s Duroc Boar.

“A Ginger Pig”… was the description of the baby Elizabeth I. In human terms this might be regarded as an insult, but to be compared with this super pig could be nothing but a compliment.
Burwash Manor cross their Essex Saddlebacks with the Durocs for a better quality meat. I hope to be going back soon to meet the saddlebacks.

The Big British Lop Pig: First Sketches.

This is pig number two of Chris’ delightful pig and pork endeavour over at Salute the Pig.

A couple of weekends ago we went to Cold Overton in Rutland to meet up with Jan McCourt at his Northfield Farm and talk to him about his lovely and rare British Lop Pigs.
Chris has also written up some of their history here: “The British Lop Pig-As Old as Our Hills.”

More about Northfield Farm as I  make more drawings of the Lops, who we found blissfully snoozing in deep warm bedding. On hearing voices tiny buried  pink piglets burst out of the straw. I defy anyone not to find them utterly, utterly enchanting. Their capacity of joy seems endless.
I am still at the “getting to know you” stages with the pigs, and still researching and sketching the Mangalitzas and curly coats. Just as I found each bee has it’s own characteristics, so do the pigs. There are breed standards, different temperaments, talk of being good mothers, hardy, easy to feed etc.
Visually British Lop Pigs are big, long, white pigs with silky hair and, again, like the Mangalitzas, with the most fabulous ears. Huge, soft, floppy ears that lie like draped hankies over their faces, as long their noses, obliterating their eyes. And they have lovely smiles! Yes.. I know … its just the way their mouths

turn up … but it is still very endearing!

image

image

More soon ….

A Slightly Improved Pig

I am thinking that a-print-a-day on this blog might be very tedious for my kind readers and this blog tends to be a mishmash of many things so I have decided to corral all the print progress pics into a different blog.
I will put any new developments here too but I think 20 different versions of one print could be too much. It’s just interesting for me to chart the progress.
But if you would like to see what is happening go to PRINTDAILY. There is a link in the side bar too. This was a better print today using oil based inks for the final black.

bg enthusiastic pig 1

Enthusiastic Pig with Acorns… 8” x 6”

Printmaking: Starting properly… with some pigs.

I am a very new printmaker. Yes I did a bit at college many years ago and some odds and ends since which I really enjoyed, but there is a lot to learn about paper, inks surfaces, tools and different combinations of all those things together.

My first attempts here have been mixed usually due to rushing things so I am going to try to get stuck in this winter and really learn.. from basics up.
My very good friend Den over at Animal Art Blog pointed me to a group who have been posting prints throughout October on Twitter see (#printoctober.) There is some great work there. It’s a bit late for me to contribute but, duly inspired, I have rashly decided to try to print something every day for a while and blog/tweet it. #printdaily

I had an interesting visit to the printmakers shop Intaglio on Saturday. I have to say that I feel very inadequate in these specialist shops. Other customers all seem supremely confident and knowledgeable, ask loudly for obscure things or are on first name terms with the staff.

I sometimes feel an imposter..but hey.. you have to start somewhere.
I came out with new inks and many unasked questions 🙂 Anyway continuing the the pig theme, I have been working on a small print with Chris’ Salute the Pig blog in mind and it may well fit into a new book/print project which is taking shape.
I’m not concerned about making the perfect print, it’s all about experiment at the moment and a chance  to try different papers and inks and combinations of plates. Some first prints..lots more to follow…

The prints are about 8”x 6” some hand printed, some put though the press, different papers etc etc .

The Complete & Utter Gorgeousness of Pig’s Ears

I have a few new projects going on at the moment but one is going to be particularly delightful; drawings paintings and prints of pigs. Chris is writing about pigs in his new blog Salute the Pig blog.
Chris likes pigs.. a lot. He was brought up on a pig farm and has an affection for them as both animals and providers of delicious food. I should say from the start that we are not vegetarians but we like to know where our food comes from and  part of the reason for the blog is to find pig breeders who are kind and ethical.

We decided to begin with the wonderful Mangalitza pigs because, as a close relative to the old Lincolnshire Curly Coat pig, it is the only pig I know anything about.  I was introduced to the splendid and sadly now extinct Curly Coat many years ago when illustrating Lincolnshire Country Food.

I will write more about it as the drawings develop..but you can read about the Curly Coat / Mangalitza connection over at Chris’ blog. We had a very encouraging start with a visit to Brian and Sylvia at Rectory Reserve, based appropriately in Lincs, who breed Mangalitzas. They have a wonderful and charming bunch of pigs who live in an idyllic spot.
I have not really been up close to pigs before but they are quite captivating. They watch you with bright attentive eyes, are lively and friendly and are extraordinarily lovely to touch.

At this stage I am just exploring what a pig looks like so these are my getting-to-know-you sketches but what struck me most about these Mangalitzas are their fabulous ears; long, floppy and wavy edged in the mature pigs, pricked and alert in the young pigs, some with curls and wispy ends… they are just gorgeous.

Initial Mangalitza Sketches

bg mg1     bg mg2

Two sketchbook pages, pencil and pen and ink . A4

And Two Beautiful Ears ..

bg mangalitsa ears

A small study of the curliness. pencil  6×6” in sketchbook

You will find lots of info on the internet about the Mangalitsas, also known as Woolly Pigs or (irritatingly) Sheep pigs.
They are handsome and very engaging…much more on these and pigs in general soon.

Leaf of the Day: Pignut Hickory Nut

As June heats up so does the frequency of the storms in Florida and we are having quite a few of them right now, the thunder is ear splitting and the rain torrential, but storms do have a good side. They wash away grime and clean the streets, nourish the plants and given the trees a good shake up. Storms are especially good for a leaf collector and especially for one of a smaller size, like myself. The day after a good storm the ground is littered with debris and leaves and pods and fallen flowers, many of which are normally too high for me to reach. This pignut hickory is a case in point. I have walked past this tree many times and not even noticed it. It stands at a junction of paths at Leu so you are always on the way to somewhere else, but after the storm the path was covered with the big greeny yellow tear shaped pods of the pignut hickory.
This tall beautiful tree Carya glabra is one of the Juglandaceae, the Walnut Family ,related to the pecan tree (Carya illinoensis) and black walnut (Juglans nigra), two of the most important native nut trees in North America.
The nuts inside these attractive green husks are bitter but very much appreciated by squirrels, chipmunks, raccoons, black bears, foxes, rabbits, birds, smaller rodents, and whitetail deer and pigs I guess!
In the UK we would come across hickory in the form of hickory chips which, when the variable English summer allows us a couple of balmy days, we enthusiastically throw on the BBQ to give us that “authentic” smoked flavour …in case we don’t already have it from those delicious incinerated chicken legs and charred sausages.

The word “Hickory” is a derived from the North American Indian word ‘pawcohiccora‘ which is an oily milk-like liquor that is pressed from pounded hickory nuts. `Pohickory” was mentioned in a list of Virginia trees published in 1653 and subsequently shortened to `hickory.’

Willam Bartram here refers to the hickory milk made by the Creek Indians.
“The Creeks store the nuts in their towns. I have seen above a hundred bushels of these nuts belonging to one family. They pound them to pieces, and then cast them into boiling water, which, after passing through fine strainers, preserves the most oily part of the liquid; this they call by a name which signifies hiccory milk; it is as sweet and rich as fresh cream, and is an ingredient in most of their cookery, especially homony and corn cakes.”

The fine dense wood has exceptional shock absorbing qualities making it very useful for early wooden wheels, and like Yew, a good wood for tool handles and bows. Golf club shafts used to be made of hickory and are still referred to sometimes as ‘hickory sticks’ and in earlier days of stricter education, hickory wood, being nicely flexible, was put to, no doubt painful, use as the ‘cane’.
On a more pastoral note early settlers were able to boil the bark in vinegar to extract a black dye.

The drawings show the closed whole pod just beginning to split and two old blackened relics of split and empty husks which I found, squirrel chewed and broken, at the base of the tree… and of course… in ‘homage ‘..a pig. I haven’t yet drawn the actual nut from inside yet.

__________________________________

Pignut Hickory