Conker Seedlings

When I joined Lucy’s Tree Following Project in February I rather wished I had known in advance because I would have planted some conkers. In a hopeful moment I went to look under the tree by the roadside and found some unprepossessing blackened conkers in the undergrowth, brought them home and stuck them in a pot. Out came sprouts and now they have grown into good little seedlings.

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I though it would be interesting to draw the development so put another one in some vermiculite. That too sprouted, but so quickly that I missed the early stages of growth.

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Today, outside in the sun and showers I sketched it. Two small compound leaves rise up from a split in the snaky root which has developed rootlets. Then a shower caught the ink.

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Chestnut seedlings sketches and old conkers: A4 pen, ink and rain.

A small  watercolour sketch stayed dry. Shame…a shower might just have improved it.

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The optimistic new Horse Chestnut Tree

I am almost packed. We are off to Amsterdam…Hurrah….

Horse Chestnut Tree…slow Tree Following…

The Horse Chestnuts in the village have galloped ahead of me and are in full bloom, their fabulous scented candelabra flowers weighing down the trailing branches. I might get round to drawing a full flower head one day, but they are fiendishly complicated so probably not.

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One flower spike seems to have an average of about 25 individual flower stalks radiating out from the main stem. Each flower stalk may have from 2 to 9 or 10 individual  flowers. That would give roughly 150 flowers but they are not all in bloom at the same time.

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Flower stalks at the base of the flower spike develop first and flowers at the base of those flower stalks are the first to open. They have a yellowy centre initially which then turns crimson. The 5 petals are wavy edged and so very delicate, with long stamens curving down and up from the centre of the flower.
The flower spikes are also very fragile. I have one disintegrating on the desk, the delicate petals fall as soon as you touch them. It is one of those projects where you might draw three individual flower stems a year…then wait for the next season to come around and so on.

It might take many years to complete…….yawn. I do know of some patient and very skilled painters who would happily do that. Not me.

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So far I have more or less just looked in hesitant wonder at these complex things. But I have made a page of sketches and a couple of loose watercolours.

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A4 sketches … the spike is drawn life size.

The sketches help to work out the construction of its complex shape. One tree in particular is very much more advanced than the others and on the the lowest flower stem a little conker is forming. April seems so early. I brought just that one stem back to draw. This loose treatment seemed a good way of trying to portray the fragility of the flowers.

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Flower spike with first small conker, watercolour sketch

And one flower head.

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Each flower has 5 frilled petals The pollen on the stamens is ginger Tomorrow I am Easton Walled Gardens with my painting group and I know their Horse Chestnuts will be magnificent!
More conkery things to come.

Over at Beautiful Beasts I am continuing documenting progress of The Black Bee and the Pied Shieldbugs.

It will be finished this week.

Some More Tree Following

It’s the week to sign in the Lucy’s Tree Following project.

The Chestnut Trees are developing so very quickly now.
There is a light green haze of leaves around them and some of the more advanced trees have a flower here and there.

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The flower spikes are lengthening and the individual florets becoming more spaced out.

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Florets coming into bloom from the base up.

I made one drawing of a more developed twig with a flower spike still in bud.

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My flagging model after a couple of hours

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The pencil drawing A3 And a couple of conkers I rescued from the verge mowing.

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A loose sketch of the two sprouting conkers.

They only have long tap roots so far. They seem to grow upside down. To my great surprise the sad looking old black conkers that I optimistically planted in a pot outside are sprouting.

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A new leaf is about the emerge. Spring!

Tree Following: Chestnut Bud Development.

Despite a bitterly cold day today, spring is racing ahead and it’s hard to keep up. Some of the Horse Chestnut trees in the village are getting leafy. Now I am looking more at trees in general it is interesting to note how early this tree has come into leaf. It must be one of the earliest. The newly opening buds are really beautiful. As the feathery, deeply ridged new leaves open up they reveal a tiny new flower spike, each floret tightly curled.

On the drawing board

This bud is only just opening and the protective scales and the outside surfaces of the leaves are still hairy

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Watercolour and pencil 6 x 8” approx

This one has opened up quite a bit more. The small leaflets are breaking free.

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This one has opened further: pencil and watercolour approx 6 x 8” approx

This twig below has no flower buds, they are only developing into leaves. It’s hard to believe these tiny delicate furled things will develop into the huge shady parasols of the mature trees. For me it’s always that bucolic scene of dozing cattle, swishing tails and chewing cud, sheltering from the sun under its generous spreading boughs. Such a beautiful parkland tree.

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Pencil and watercolour sketch 8 x10

Lucy, who is organising the tree following posed the question. “Is it possible to tell before the buds open up which will have flowers and which won’t.” I have never really thought about it so had another look at the tree today.

What I noticed is that the buds low down or near the trunk are not opening to flower spikes, just leaves. Buds at the end of the outside branches all seem to have flower spikes. Which makes quite a bit of sense. Flowers need to be up and out there, where the pollinators can find them.

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he big candelabra flowers spikes will be a challenge to draw!

Horse Chestnut Tree…Some Progress

The Height of a Tree On Saturday I co-opted Chris to help me try to calculate the height of the Church Field Horse Chestnut Tree. There are various ways, I had not realised so many. A handy guide from WikiHow gives some instructions. “Measure a Tree” I opted for a very simple one of asking a friend to stand by the tree.

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So here is Chris standing next to the tree. With a bit of rough calculation we think the tree is about 58 ft high. It is also interesting to see a 6 ft figure by the tree. The human figure really gives an idea of the scale of these magnificent trees.

Two More Sticky Bud Developments

I’m trying to catch the bud development of the Horse Chestnut twig. I have two buds beginning to split, which I drew today. As the sticky scales develop, and open up,  the first four leaves begin to show at the very tip. They are furry, covered in white fine downy hair and tightly curled up. It’s a fascinating contrast of smooth, sticky, shiny scales with the downy hairs of the emerging leaves .

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Watercolour and pencil sketch: 8 x 5 inches

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Watercolour and pencil sketch: 9 x4 inches

I am keeping all the Tree Following posts together on another blog: www.followingtrees.blogspot.com  It’s going to be nice to see the continuity through the year.

Also it’s easier for the other tree followers to find. If you are taking part, this is the week to sign in with Lucy. There is an update box once a month on the 7th which will stay open for a week.
There are lots of people, not just from the UK, taking part. It will be fascinating.

Horse Chestnut Twig

A few more sketches for the Horse Chestnut Tree Following project. . I realised yesterday that I would have to get a move on to record its development. I had picked 3 small pieces from one of the big Church Field trees last weekend and already one has, exuberantly, burst into leaf. I kept a couple cool and dark and today made some sketches of them  in their (almost) dormant state.

 

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These lumpy twigs are fascinating and complex to draw.There are the clear sections to the stem separated by heavily ribbed sections and, in this twig, the very top section is slightly thicker than the one below. The characteristic horseshoe leaf scars under the buds have different numbers of “nails”.

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The second twig had a large bud at the top which is just beginning to burst; the dark sticky coating shrinking as the russet scales stretch and split, revealing the palest, prettiest, spring green of the tightly folded leaves inside.

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Watercolour sketch.

It’s a beautiful thing and warrants a larger more detailed painting… so much to do so little time!

A Start with the Village Horse Chestnuts

My first post for Lucy’s Tree Following Project for which I will be looking at the Horse Chestnut Tree: Aesculus hippocastanum

I don’t know much about these lovely trees yet, except that they are a tree of childhood days; of conkers, sticky buds on nature tables, the magnificent “candles” when in full bloom. “Under the Spreading Chestnut Tree” the children’s chanting rhyme with the accompanying actions.

Shade from the summers heat and a nesting tree for big birds. Also a favourite subject in the much loved Ladybird “What to look For in….” books with the lovely illustrations by Tunnicliffe and in the Shell Guides with S. R. Badmin’s quintessentially English paintings.  More of these artists in future Chestnut posts.
It’s not a native I know, but a magnificent specimen tree for stately homes, parklands and village greens. Although from an economic point of view they are not a very useful tree, they are none the less very beautiful.. so fall well within the “beautiful or useful” category of William Morris. I know that, like many other trees, the Horse Chestnuts are having some problems.
In this case they falling prey to the unsightly leaf miner and the more serious bleeding canker. I will learn more about all of this as I go.  Initially I need to understand the basics and so I am starting with its shape. I made some quick sketches on my walk.

There are several scattered around the village from young to old which is useful. Trees look very different from different angles and are very complex things to draw, but for me sketching is the very best way to see and understand the basic shape.

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This is perhaps the oldest in the village and the one I can see from the front room of the house. The street light gives some idea of its size.

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There are two in Church field, in a group of four trees. A glimpse of the reservoir between the trees.

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Two young trees down the lane one still with its plant stake. Sketches in A5 sketchbook

The Horse Chestnut is described as “ a native in the Balkan Peninsula A. hippocastanum grows to 36 metres (118 ft) tall, with a domed crown of stout branches; on old trees the outer branches often pendulous with curled-up tips”

I now see that the very long lower branches in the older trees hang elegantly down and curl up. The sticky buds on the ends of the upturning branches are just about to burst. Church Field Boundary Trees The two horse chestnuts in a group of four trees, one on the right of this sketch and one next to it. This view is with my back to the reservoir looking back to the church, which, minus dragon, is in the background.

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Village Horse Chestnut

This is a huge tree which overhangs the road. Its lower branches hang down into the garden behind the fence while the roadside branches I think have been cut back. There were wonderful conkers this year.

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The same tree as my No 1 sketch, Ugly Bungalow roof in the back ground.:)
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Tree of Kiev
Coincidentally The Horse Chestnut is a symbol of Kiev. I can only hope that the beautiful flowers to come in the spring will also bring a time of peace and political freedom to its population. It seems the Chestnuts were planted in some respects to spite the poplar loving Russian Emperor Nicholas I..

“In 1842, botanical likings of Kiev citizens and Russian authorities got drastically  different. By the second half of the 19th century Lombardy poplars with the support of royal power finally became a symbol of tsarism, autocracy and conservative «patriarchal» orthodox Kiev, while chestnut trees meant for Kiev citizens disobedience to the central authorities in St. Petersburg, a new urban development and municipal government. Chestnut tree was associated with constructive opposition to absolutism. Step by step, Kievans began to give advantage to attractive chestnut trees (which were also helpful in summer hit because they were shady) instead of «officiously» decorative poplars that had no practical usage.”

Read more from the Discovery Kiev website here Trees as subversive and defiant symbols. Wonderful.

Japanese Woodblock, Monoprints and Tree Following

Just quick roundup of stuff, more printmaking and following a Horse Chestnut

Japanese Woodblock Printing

Over at Printdaily yesterday I wrote about my first Japanese Woodcut  made last week at an excellent days workshop with Laura Boswell, learning about cutting and printing the Japanese way. It involved cutting with knives and chisels, inking with watercolour and printing on dampened paper. All completely different from anything I have done before. It has great possibilities and in the right hands is very beautiful. With Laura’s help I made a small print of an adder which will be my next subject for Beautiful Beasts. I was absolutely delighted with the day and with how much I learned. If anyone is interested in Japanese woodblock printing I can’t recommend her highly enough. (I don’t say this lightly as I honestly see very few tutors who not only understand the mechanics of their craft, but also the “art” that it can produce when used in creative ways.)

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My first little adder print, three plates and about 4 colours.  See more steps on the blog post. I shall be working more with these plates next week.

Monoprints On Beautiful Beasts I have been playing with monoprints, again fairly new to me although I made a few at college years ago on old litho plates, they were less than inspiring but I am loving these small prints using the Silk Road Horse sketch as a starting point. So far I have only used waterbased inks and only black ink.They are made with a mix of trace through and wipe out techniques. There have been many trials and not many successes but they can have a beautiful lithographic feel about them and a surprising sensitivity of line. Hopefully a few more this weekend. These are my favourites so far.

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Mono prints A4.

 

Tree Following..!

My blog friend Lucy over at Loose and Leafy is following a tree this year; seeing how it develops and changes over the year. Lovely idea Lucy. She has invited people to join her and I am definitely in. I am already doing some work on Willows this year and wanted a bit of a contrast so am opting for a Horse Chestnut.

It will be a once a month report but a great excuse for some tree sketching and observation. At their best they are magnificent trees in every season.  There are several scattered around the village. One I can see from our front window. It’s where the rooks roost and I am very fond of rooks. It will be fascinating exploring these lovely trees. I am rather wondering where the time will come from to do this… but hey…it’s what I love to do so I am sure I will fit it in!