The Fenland Black Bee, almost done.

The bee is almost done. I have added the foliage, a suggestion of the Holme Fen birch trees and a view of the distant bird hide. I am dithering about adding a Highland Cow.
The hide is known as“Jon’s Hide” an eco friendly straw bale hide created by Jon Smith one of the restoration officers at the Great Fen project. You can see how the building of the hide progressed here.

The Highland Cattle are there to help manage the land. I included them in my first sketches at the beginning of April. They are good grazers for wet lands and will eat tough weedy plants, keep the vegetation down, break up the ground and so encourage more marsh loving wild flowers.

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Pencil and Watercolour on Arches 300 HP, 10 x 11 inches approx.

As I quoted in an earlier post, “artwork is never finished…just abandoned”. At this stage I usually put a picture away for a week or so, out of sight. Then have another look and see if what is bothering me now is still bothering me then.
But for now I am done, especially as I have to get organised for a short break.

London and Amsterdam for 6 days. I am hoping to get a quick conker sketch done before I go……

Getting to know Shieldbugs.

I really like Shieldbugs but know nothing about them. I like their neat shape and their very pleasing patterns. Close up they are quite exquisite and I don’t mind that they are also known as stink bugs. Over the years I have seen quite a few but not really taken so much notice of them.

Now I am more interested. Britishbugs.org have an excellent site all about our UK bugs. These are the true bugs, the family Hemiptra. It seems in the UK we have over 2000 species and as the site says they are not very well covered in field guide books Shieldbugs are just one family. Wiki has a page detailing 44 species in the UK. T

hey are sap sucking, some carnivorous and some not. I had no idea there were different stages of development but they go through various stages of metamorphosis before adulthood. Also it seems the female shield bug is quite a good mother and watches over her little brood until the nymphs can look after themselves. Birds eat them and in some parts of the world they are pests but often are not.
The shield bugs I saw on the White Dead Nettle are Pied Shield Bugs (see Black Bee Continued) and I am including two of them in the black bee painting. Both of them love the same plant so it seems only right to pair them up.
Today I went out to see if I could find some local ones but nothing, even though we have plenty of White Dead nettle here. However I did find a lovely Common Green Shieldbug Palomena prasina sunning on a leaf.

And, looking through my photos from Holme Fen again, I find I had taken a photo of another bug that day. This I think is Coreus marginatus a squash bug. It likes docks and that makes sense as there were quite a few growing nearby.

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Pied Shieldbug Sketches I am making  a few “getting-to-know-you sketches” of the bugs before I start the artwork .

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Adult, mid stage and young Pied Shieldbugs (Tritomegas bicolor)

The development stages are just as attractive as the adult. I read there are 5 instars before full adulthood. I have not quite worked out at what stage they get their wings but the middle one I think is still wingless. Metamorphosis is very strange isn’t it?
More bug sketches to come…

The Black Bee continued.

It is lovely to see so many bees out and about now and I have returned to the painting of my East Midlands region Black Bee, Bombus ruderatus.
I have rethought the sketch a bit to now include 2 little Pied Shieldbugs (Tritomegas bicolor) which I had photographed inadvertently when I was trying to get a shot of the bees on the white dead nettle at Holme Fen.
They are lovely, very design-y black and white. It’s a bit of a theme for this painting. Black Bee, White Dead Nettle, Black and White bugs.

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A blurry little Pied Shieldbug from Holme Fen.

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Two Shieldbugs, one at the bottom and one peeping over a leaf at the top.

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Stage 1:  Eyes first. If these are not right I start again.Then a little colour all round.

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Stage 2:  More darker colour all round and getting the head and legs right.

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A detail of the head at Stage 2. Its about 1/2 “wide.

I am always concerned to get the “pile” right. Different bees have different sort of hair. This bee is a little more tidy than its relation, Bombus hortorum but has longer hair than some others.  They are big bees, not called the Large Garden Bee for nothing.

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This is almost done but I will make a few changes when I have the background sorted out a bit more. They say “an artwork is never finished, only abandoned”.. how true. You get to a stage when you don’t really want to see it again… at least not for a while. I have not quite got as far as that with this bee. It will be finished next week I hope.

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The background, bugs and bee roughly put together.

More soon.

Back to the Bees… and A Book with Me in it..

I said earlier this month that I would be getting back to the bee paintings and the first is going to be the lovely Bombus ruderatus for the Beautiful Beasts blog.  Bombus ruderatus: the Large Garden (or Ruderal) Bumble bee This bee has a special significance for me as the only time I have ever seen one, to my knowledge, was in my father’s  garden.  I had seen a big all black “something” flying around the yellow archangel for a couple of days and then luckily one day I had my camera. If it had been the more usual striped  variety I would probably not have noticed it. You can see more about this bee on my post “A Fenland Bee” here.

It is also the Iconic Bee for the East Midlands so a perfect Fenland “Beautiful Beast” and coincidently I thought I saw one on Sunday at the Holme Fen visitor info stop. There is a wonderful large planting of white and red dead nettle by the notifications boards which is a favourite flower for these long faced, long tongued bees. So far I am just making some notes, rough ideas and colour sketches.

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The all black version, which is the one I will be painting is officially called Bombus ruderatus var.harrisellus

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Habitat sketch from Holme Fen and, yes the unexpected Highland cattle are there  to help manage the grass land. Thinking about the bees in the white dead nettle.

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And as I saw the big black bee in Dad’s garden on the yellow lamium

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These small sketches are about 5 x4 inches

In the Garden

I was also so very pleased to see for the first time this year the gorgeous Tawny Mining bee.My photo does not do justice to the prettiness of this little bee with her beautiful foxy two tone colours. I had rescued her from a spider’s web, she is just taking a moment on my hand to regain her composure.

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And also, I have, at last, seen the Hairy Footed flower bees, both male and female on the pulmonaria.

A Book with Me in It!

It’s a big thank you to lovely, bee friendly, Andrew Tyzak for asking me to contribute to his wonderful book. “Drawing and Painting Insects”

Andrew draws and paints and makes exquisite prints of insects and runs the website Bees in Art. I am honoured to be alongside such high quality artists and at a generous 200 pages, the book is packed with images of insects of all kinds, in painting drawing and prints. There is also lots of info on how to go about painting and drawing these fascinating creatures. I was particularly delighted to see my Great Yellow Bumble Bee on the cover!

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About me and the bees

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Some step by steps of my work….

The book is available from all good bookshops! First the book, next the film ….:)

Charcoal Kilns from Grafham and Holme Fen.

Charcoal, made at Grafham Water, from the reservoir willows

This rather special charcoal was made for me by Grafham Wildlife Trust wardens Aidan and Greg and their charcoal burning gang and it is, of course, made from the local willows.

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It’s the first time they have tried making charcoal for drawing. Normally it’s chunkier pieces for BBQ charcoal as you can see by the bag. The secret is to have a very slow burn, steady heat and flat straight twigs.The twigs are normally laid in sand in tins.

This looked good. Aidan told me the biscuit tin they used was destroyed but this is definitely usable charcoal. To work with it is unpredictable. Some parts are too hard and then you will find a very soft section which gives a sudden rich dark line. It was, without doubt, very pleasing to draw the Grafham Water willows with willow charcoal made up in Grafham Water woods. The charcoal kilns are in Littless Wood.  I made some sketches a couple of years go. Their simple solid geometric shapes are very pleasing, against the more organic lines of trees and foliage. There are two kilns there… or certainly were last year, I have not been back yet this year, but I must get back, now the track is drying up.

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The kilns are not so large.. the tall trees give some idea of them in the landscape.

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A wheel barrow with sacks and some logs ready to burn.

You can join a charcoal burning party along Aidan and Greg with the Wildlife Trust.
The next course is on the 11th May. I would love to go but we will be away…in Amsterdam…so can’t really complain.

Holme Fen Charcoal Kiln: a remnant from the Second World War.

But I did go back to Holme Fen with Sue on Friday, for a couple of hours sketching and to find the charcoal kiln that I had read about in the guide.
A small sunken kiln base, without its conical top, is all that remains of the extensive tree felling and charcoal burning operation which took place during the Second World War to provide charcoal, possibly for wood gas to power vehicles or for gunpowder. The ring of iron is sinking into the peat. It is being overtaken by rhododendron seedlings and brambles. In the still chilly morning with very little but birdsong to keep us company it was a beautiful place to sketch.

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Two line sketches done on site. I often add tone but we only had half an hour so no time for much more than notes. I did not have a camera with me, or rather I did not have the SD card, but I jotted down enough info to make a slightly more atmospheric drawing when I came home. It’s a simple enough shape and the foliage was mainly ferns, rhododendrons and brambles. I had made a note of the sun direction and cast shadows and a small detail of the rim.

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Holme Fen Charcoal Kiln. pen and ink. A4

I had also taken my chunky Grafham charcoal with me and made a couple of sketches of the beautiful silver birches.

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For me, used to dark woods of oak and ash, these tall pale ghostly trees with the light shimmering from their silvery trunks make for a strange treescape. Lovely, ethereal and slightly unsettling.

I am looking forward to returning soon.

Black Adders from the Black Fens

Holme Fen

On Saturday we went to Holme Fen, a remaining fragment of peaty forested fen, not what you would expect from fenland really.

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Shimmering silver birches at Holme Fen on Saturday 8th March

It has a fascinating history and was once a part of Whittlesea Mere, the largest lake in lowland England which was 3 miles across and a venue for ice skating in the winter, fishing and sailing. It was drained at last by the Victorians in 1851 with John Appold’s, Steam Pump brought up from the Great Exhibition.

“The wind, which of autumn of 1851 was curling the blue water of the lake, in the autumn of 1853 was blowing the same place over fields of yellow corn.” Skertchy (1877
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But one small piece of the reclamation, which is now the Nature Reserve was considered too wet to cultivate and gradually returned to birch forest.
My information from Natural England’s trail leaflet PDF here.

The Peat

Walkng through these elegant birch woods was easy going, the ground under your feet is springy, so unlike the yellow sticky mud that we have been trudging through here for the past few months. The peat here escaped exploitation and despite astonishing shrinkage, (as you can see by the Fen Post), they think the peat still extends 3 meters down over most of the site.

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Chris standing by the post. His head is by the 1870 marker. The peat was level with the top of the post in 1851. The peat had shrunk to this mark in only 19 years.

Fenland Adders

Black, beautiful peat, back-breakingly dug for years mostly for fuel, also creates good adder habitat; black adders in particular if you read old accounts of peat cutting from the Fens. They were said to rise up suddenly, unseen against the black fen soil and frightening the land workers.

Other grim Fenland adder stories in Witches and Black Adders from Yaxley History which make me feel even more sorry for these lovely snakes. In 1963 Sybil Marshall published the Fenland Chronicle, her parents memories written in their Fenland dialect and detailing life on the Cambridgeshire Fens. It is a fascinating read and tells some good adder stories. More of those another time but she does say:

Needless to say we had a healthy respect for adders-nobody only a born fool would want to be too familiar with them. They abounded in the fen and were a common sight to the turf diggers who couldn’t be said to be frightened of them, even if they didn’t make pet on ‘em”

It would seem logical for adders to be black as camouflage against the black fenland soil but they consider adder colouration is more genetic than in response to habitat.

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Paul Smith’s photo from the ARC website again see more here

Adder Sketches

I am still thinking about how to develop the adder image. More sketches today. I wonder if I can redress the balance a bit with my portrayal and have an adder loving fen man with adders fondly clustering round, or perhaps 2 dancing adders ( the mating dance) with the peat diggers in the distance.

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Rough ideas  A4 sketchbook

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2 thumbnail ideas for a possible print.

I am also rather interested in their eyes. They are a beautiful orange red with a slit pupil unlike the grass snake and slow worm whose eyes have round pupils.

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Watercolour sketches of the eyes; adder,grass snake, slowworm ( which is really a legless lizard, hence the eyelid)

Adders and Grass Snakes have no eyelids but a transparent scale called a brille which covers the eye and is part of their skin. Just before shedding this brille  turns blueish, clouding the eye.  After the old skin has peeled away, the adders eye is returned to its glowing brilliance. Amazing. For more adder love see artist Ben Waddam’s short film on a peat bog adder here.

PS: If you were wondering about the name Blackadder it doesn’t have much to do with snakes!